By Avery Aames (a.k.a. Daryl Wood Gerber)
Getting published is hard work. It takes tenacity. It takes passion. It takes friends who won’t let you give up. J.A. Konrath says: "What do you call a writer with perseverance? PUBLISHED!"
Are you just about to give up? Don’t!
Over the course of fifteen years, I wrote a number of books, both traditional mystery and suspense thrillers. I submitted these books to agent after agent and received a number of comments like, “This is so close, but it’s just not for me.” [Sound familiar?]
Two years ago, when I was ready to give up, a critique partner suggested I write to the market. ‘Cozies are selling,’ she said. With nothing to lose, I decided to give it a whirl.
But before I wrote another full book, I wanted to make sure that the cozy hook that I’d chosen was a good hook. I approached agent Jessica Faust at Bookends, whom I had met a writers’ conference. She had given me encouragement on previous work. I asked if I could submit cozy ideas to her to see if they would fly with a publisher. She agreed. I submitted professionally crafted bibles, [my bibles included sample chapters, an overview of the series, character sketches, and a basic outline], but none captured her fancy. After a few tries, we agreed that maybe we weren’t of like mind, so I asked if she’d be upset if I approached her fellow agent, Jacky Sach, who I had also met at a conference. Jessica gave her blessing.
I approached Jacky with the same request. Jacky agreed. I tried three, but she didn’t think any would appeal to a publisher, so I tried three more. Mind you, each of these took me a while to write, and mind you Jacky was such a good sport! Again, I received encouragement from Jacky, but none of the ideas were “just right.” Because I knew of people who had been “hired” to write books based on a bible created by the publisher, I asked Jacky if she would keep me in mind if she heard of an opportunity. [Note: I used to write in Hollywood. I created the format for a series on TV called “Out of this World.” I had no qualms about writing somebody else’s idea.] Jacky said she would.
I didn’t waste another moment thinking about the possibility, and I returned to what I had been writing before I changed track – a suspense thriller. Note: I was still considering giving up writing, but I hadn’t decided what I would do next with my life, and sitting on the couch day in, day out was out of the question (for me). I polished my new novel and started the quest again to find an agent who would think it was the most brilliant piece of writing ever. I received requests for full manuscripts and was feeling pretty sure that something was going to break for me this time…soon. [Perseverance requires that you see the rainbow behind the clouds!] At the same time, I took a cozy writing class and a suspense writing class. I polished new chapters and ideas through my critique group. And, yes, I had the occasional mini-pity party. [Note: Don’t let pity parties last longer than twenty-four hours. It takes grit to stop a pity-party, but you can do it.]
And then one day, out of the blue, I received an email from Jacky. She had a work-for-hire possibility. Would I be interested in auditioning for A Cheese Shop Mystery series? Of course, I would! A cheese shop sounded tasty, fun, and felt like a perfect fit for me. I loved to cook. I used to cater. I almost sold wine and The Cheese Shop, per the publisher’s bible, had a wine annex. Last but not least, the grandmother who raised the protagonist was a sassy character who managed the local theater. It just so happened that I had acted in local theaters and on television and in film.
To audition for the job, I was asked to provide three chapters. I set to work, researching, tasting, and writing. Working within the publisher’s parameters provided a freedom I’d never felt before. I was writing something that had a strong hook and was already “wanted” by the publisher. In a matter of weeks, I turned in the chapters.
But I didn’t kid myself that I would be hired. I’d been rejected before. So I returned to my regular job of writing the next book.
When I was offered a three-book deal, I just about fell off my chair. I was going to be published, writing something I truly enjoyed!
In the future, I hope to sell one of my own stories, but for now, I write as Avery Aames, author of A Cheese Shop Mystery series for Berkley Prime Crime, and I’m thrilled and proud.
My advice: If opportunity knocks on your door, open it and: Say Cheese!
========================================================
Avery Aames (aka Daryl Wood Gerber) is a long-time member of Sisters in Crime and the author of The Long Quiche Goodbye, first in the Cheese Shop Mysteries. Avery blogs every Monday with Mystery Lovers Kitchen. Check out her web site at www.AveryAames.com.
(This article originally appeared on the Bookends Blog.)
Monday, August 9, 2010
A Writer’s Journey: Say Cheese!
Friday, August 6, 2010
Gadget Magic
Here at Sisters In Crime, we love gadgets that make life easier. And, in fact, we just installed a new gadget here on the blog that will make it easier for oure readers and members to share our blog posts.
If you look down at the bottom of the blog, on the right, you'll see a series of buttons. Let your mouse hover over those buttons and you'll see that you can share any of our posts on your Facebook or Twitter pages.
How cool is that?
We're hoping our members and readers will make use of these cool buttons. Go ahead -- try it now.
If you look down at the bottom of the blog, on the right, you'll see a series of buttons. Let your mouse hover over those buttons and you'll see that you can share any of our posts on your Facebook or Twitter pages.
How cool is that?
We're hoping our members and readers will make use of these cool buttons. Go ahead -- try it now.
Thursday, August 5, 2010
Pictures, Prompts and Poetry: What's your secret weapon?
By C.L. Phillips
"My name is Sara and I'm a writer. It's been 12 days since my last writer's block."
Admit it. You'd sneak into a twelve step program for writers if it banished writer's block. So what do you do when the muse goes on vacation? After you've cleaned your desk, polished the stove, eradicated every cobweb in your house? How do you bootstrap your creativity?
I've got a new book with a thousand pictures. I'm on page three. I open the book, and write a five hundred word flash fiction story using the picture as my writing prompt. If you twist my arm, I'll tell you what the pictures are about. Hint - I was inspired by a recent best seller.
A dear friend, Patricia Lee Lewis (http://www.writingretreats.org/), posts a writing prompt each week on her blog. Each prompt comes with a time limit. You pick up the pen and write like a demon, usually for twenty-five minutes. Something magical happens as my fingers sprint against the clock with each word, shoving my writer's block into the corner. I simply do not have time to mess with the resistance. Instead, I smash it on the head and press on.
Sometimes I use these prompted writings in my current project. More often, I find after the exercise that something clicked in my brain. My characters start chatting to one another, and I'm off to the races. Writer's Block vanquished.
And what do I do when pictures and prompts fail? Poetry. Yep, that's right. I *cough*gag*spew read poetry. Not that I would ever admit that to my friends.
Usually Robert Frost. Something about good fences or the road less traveled. His poetry tumbles around in my brain like the scrubbing bubbles on a bathtub, taking the ring of self-doubt and confusion down the drain.
As with any secret weapon, there's one final instruction. Do it when you first arise in the morning. Before life invades. At least, that's what I've found. When I prime the creativity pump, first thing in the morning, it never runs dry. As with any personal advice, I'm sure your mileage will vary.
What's your secret weapon? What exactly do you do to keep your creativity pump spewing like an oil rig in the Gulf? Oops, maybe I could have picked a better analogy. Better yet, while you are laughing, hit that comment button and share a little of your own magic. Like all good 12 step meetings or Weight Watcher meetings, the best advice comes from those on the path.
Write on!
=======
C.L Phillips writes mystery novels while nestled under a hundred-year live oak tree in downtown Austin. Except in August. C.L writes about the the gap between what people want and what they actually do. Broccoli or chocolate chip cookies, anyone? Check out her web site: www.clphillips.com or find her onTwitter: @clphillips787
"My name is Sara and I'm a writer. It's been 12 days since my last writer's block."
I've got a new book with a thousand pictures. I'm on page three. I open the book, and write a five hundred word flash fiction story using the picture as my writing prompt. If you twist my arm, I'll tell you what the pictures are about. Hint - I was inspired by a recent best seller.
A dear friend, Patricia Lee Lewis (http://www.writingretreats.org/), posts a writing prompt each week on her blog. Each prompt comes with a time limit. You pick up the pen and write like a demon, usually for twenty-five minutes. Something magical happens as my fingers sprint against the clock with each word, shoving my writer's block into the corner. I simply do not have time to mess with the resistance. Instead, I smash it on the head and press on.
Sometimes I use these prompted writings in my current project. More often, I find after the exercise that something clicked in my brain. My characters start chatting to one another, and I'm off to the races. Writer's Block vanquished.
And what do I do when pictures and prompts fail? Poetry. Yep, that's right. I *cough*gag*spew read poetry. Not that I would ever admit that to my friends.
As with any secret weapon, there's one final instruction. Do it when you first arise in the morning. Before life invades. At least, that's what I've found. When I prime the creativity pump, first thing in the morning, it never runs dry. As with any personal advice, I'm sure your mileage will vary.
What's your secret weapon? What exactly do you do to keep your creativity pump spewing like an oil rig in the Gulf? Oops, maybe I could have picked a better analogy. Better yet, while you are laughing, hit that comment button and share a little of your own magic. Like all good 12 step meetings or Weight Watcher meetings, the best advice comes from those on the path.
Write on!
=======
C.L Phillips writes mystery novels while nestled under a hundred-year live oak tree in downtown Austin. Except in August. C.L writes about the the gap between what people want and what they actually do. Broccoli or chocolate chip cookies, anyone? Check out her web site: www.clphillips.com or find her onTwitter: @clphillips787
Wednesday, August 4, 2010
Geographically Challenged!
By Pat Remick
President of New England’s Scarlet Letters Chapter
With a Sisters In Crime chapter covering the six New England states, finding a way to stay connected is one of the biggest challenges of our “Scarlet Letters Chapter.”
Founded in 1993, our chapter has grown from about a dozen women to almost 180 women and men living in Massachusetts, New Hampshire, Maine, Vermont, Connecticut and Rhode Island. Many of the original SinCNE members remain active in our group today.
Although most of our Sisters (and Brothers) are in Massachusetts, as are the majority of our meetings, we’re trying to broaden our geographic sweep as we work to serve both published and unpublished members with physical meetings that allow for networking and socializing, as well as online opportunities available no matter where they reside. With our northernmost member separated from our southernmost Sister by over 350 miles and 6 ½ hours of driving, sometimes cyberspace is the easiest meeting place.
On the physical side, this summer we co-sponsored an extremely well-attended “Beach Reads Recommendations” event featuring four recently published authors and myself as moderator with an independent bookstore in Portsmouth, NH, and our Connecticut Sisters hosted a crime scene expert at a library in their state. Although a three-hour drive for me, it was wonderful to join them and greet almost 30 Sisters attending along with the public.
Our Speakers Bureau, which promoted our published members at over 35 panel discussion events at libraries and bookstores last year, also brings members together with each other and the public. And our Chapter has launched a New England edition of the SinC National “We Love Libraries” lottery as we strive to strengthen connections with those who buy and sell our books.
Our Chapter serves both published and unpublished members by offering at least one half or full-day writing workshop annually, sometimes preceded by a more intimate Friday evening event especially for those who’ve booked a hotel room because they have traveled from afar to attend the Saturday class. The “Triage Your Plot” workshop by writing teacher and best-selling author Hallie Ephron in April drew members from four of our six states and the Chapter funded the workshop as a member benefit.
We also offer members at least two online craft classes annually. This year, Sylvie Kurtz talked about “How to Revise Without Getting Sick of Your Manuscript” and Mary Buckham will help us explore “the First Five Pages” in October. Our Chapter often subsidizes at least a portion of the cost.
Other 2010 events included: hosting the SinC booth at the American Library Association midwinter conference in Boston in January, a February class with Boston-based entertainment lawyer Patti Jones speaking about copyright, trademarks and other intellectual property protection; and Sisters reading their Works in Progress at a member’s home in May.
Coming up are an all-day gun workshop at a shooting range in September, a social networking class in October, co-hosting a booth at the New England Independent Booksellers Association Conference in Providence, RI; Crime Bake (see below) and our annual December holiday party.
We also publish a highly regarded newsletter at least six times a year and use our New England SINC listserv, Facebook and Twitter to keep in touch virtually. We are working on a total revamp of our Web site to supplement these efforts.
Because we are so geographically challenged, one place where we often connect with members unable to attend meetings is the New England Crime Bake for Mystery Writers and Readers held outside Boston each November, which we’ve co-sponsored with the New England Chapter of Mystery Writers of America since 2002. This year, we’re planning a “Scarlet Letters” hospitality event on the opening evening to offer members a quick tutorial on how to best do the conference, introduce them to our latest social networking efforts, and just enjoy each other’s company. The conference, which this year features Guest of Honor Charlaine Harris, also provides a healthy infusion into our treasury, allowing us to continue to expand our efforts to serve our members in our expansive region!
We hope you'll visit our web site -- and, maybe join?
President of New England’s Scarlet Letters Chapter
With a Sisters In Crime chapter covering the six New England states, finding a way to stay connected is one of the biggest challenges of our “Scarlet Letters Chapter.”
Founded in 1993, our chapter has grown from about a dozen women to almost 180 women and men living in Massachusetts, New Hampshire, Maine, Vermont, Connecticut and Rhode Island. Many of the original SinCNE members remain active in our group today.
Although most of our Sisters (and Brothers) are in Massachusetts, as are the majority of our meetings, we’re trying to broaden our geographic sweep as we work to serve both published and unpublished members with physical meetings that allow for networking and socializing, as well as online opportunities available no matter where they reside. With our northernmost member separated from our southernmost Sister by over 350 miles and 6 ½ hours of driving, sometimes cyberspace is the easiest meeting place.
On the physical side, this summer we co-sponsored an extremely well-attended “Beach Reads Recommendations” event featuring four recently published authors and myself as moderator with an independent bookstore in Portsmouth, NH, and our Connecticut Sisters hosted a crime scene expert at a library in their state. Although a three-hour drive for me, it was wonderful to join them and greet almost 30 Sisters attending along with the public.
Our Speakers Bureau, which promoted our published members at over 35 panel discussion events at libraries and bookstores last year, also brings members together with each other and the public. And our Chapter has launched a New England edition of the SinC National “We Love Libraries” lottery as we strive to strengthen connections with those who buy and sell our books.
Our Chapter serves both published and unpublished members by offering at least one half or full-day writing workshop annually, sometimes preceded by a more intimate Friday evening event especially for those who’ve booked a hotel room because they have traveled from afar to attend the Saturday class. The “Triage Your Plot” workshop by writing teacher and best-selling author Hallie Ephron in April drew members from four of our six states and the Chapter funded the workshop as a member benefit.
We also offer members at least two online craft classes annually. This year, Sylvie Kurtz talked about “How to Revise Without Getting Sick of Your Manuscript” and Mary Buckham will help us explore “the First Five Pages” in October. Our Chapter often subsidizes at least a portion of the cost.
Other 2010 events included: hosting the SinC booth at the American Library Association midwinter conference in Boston in January, a February class with Boston-based entertainment lawyer Patti Jones speaking about copyright, trademarks and other intellectual property protection; and Sisters reading their Works in Progress at a member’s home in May.
Coming up are an all-day gun workshop at a shooting range in September, a social networking class in October, co-hosting a booth at the New England Independent Booksellers Association Conference in Providence, RI; Crime Bake (see below) and our annual December holiday party.
We also publish a highly regarded newsletter at least six times a year and use our New England SINC listserv, Facebook and Twitter to keep in touch virtually. We are working on a total revamp of our Web site to supplement these efforts.
Because we are so geographically challenged, one place where we often connect with members unable to attend meetings is the New England Crime Bake for Mystery Writers and Readers held outside Boston each November, which we’ve co-sponsored with the New England Chapter of Mystery Writers of America since 2002. This year, we’re planning a “Scarlet Letters” hospitality event on the opening evening to offer members a quick tutorial on how to best do the conference, introduce them to our latest social networking efforts, and just enjoy each other’s company. The conference, which this year features Guest of Honor Charlaine Harris, also provides a healthy infusion into our treasury, allowing us to continue to expand our efforts to serve our members in our expansive region!
We hope you'll visit our web site -- and, maybe join?
Tuesday, August 3, 2010
Trains, Planes and Kindle
by C.L. Phillips
You have an historic front row seat to one of the biggest shake-outs in industry in the last hundred years. Thousands of MBA students can tell you the death of the railroad industry happened when the railroad robber barons failed to understand the threat of new technology, namely the automobile and airplane. Railroad barons thought they were in the railroad business. Big mistake. They were in the transportation business. What all the Harvard MBA case studies forget to say is that the buggy whip makers laughed as they watched the railroad barons suffer at the hands of the upstarts.
Is the same thing happening in the publishing industry? The big publishing houses are eerily similar to railroad barons. Entrenched. Mature. Proven. And like the railroad barons, they have no idea what the end game is. In forty five years, aviation transportation progressed from the Wright Brothers first flight on the beaches at Kitty Hawk, North Carolina to the Berlin Airlift, the largest humanitarian rescue effort at that time. No railroad could save Berlin in 1948.
Forty-five years. Sounds like a long time, doesn't it? Consider this - the first IBM personal computer hit the streets in August, 1981, a mere twenty nine years ago. What do you think your personal computer will do in 2026? Better yet, what do you think the Kindle will do?
Amazon is executing a brilliant strategy. Gillette gives away razors and sells razor blades. There's no confusion about what a razor does or why you need one. Amazon will follow the same strategy with the Kindle. People will continue to read using the format they love most. Just as some men prefer the straight razor, others the electric razor, and others the Gillette, we will find people reading hardback, paperback, and electronic books.
Planes, trains, and automobiles. Straight razors, electric razors, Gillette razors. Hardback, paperback, e-books. They are all here to stay. The real question is who are the buggy whip makers? Who will be left completely behind as the industry transforms?
One thing is certain. Stories will always be told. Doesn't matter if we are scribbling on cave walls, drawing in the dirt around the fire, or pounding our keyboards in silent desperation. The story will survive. And so will the storyteller.
--------------
C.L Phillips writes mystery novels while nestled under a hundred-year live oak tree in downtown Austin. Except in August. C.L writes about the the gap between what people want and what they actually do. Broccoli or chocolate chip cookies, anyone? Check out her web site: www.clphillips.com
or find her onTwitter: @clphillips787
You have an historic front row seat to one of the biggest shake-outs in industry in the last hundred years. Thousands of MBA students can tell you the death of the railroad industry happened when the railroad robber barons failed to understand the threat of new technology, namely the automobile and airplane. Railroad barons thought they were in the railroad business. Big mistake. They were in the transportation business. What all the Harvard MBA case studies forget to say is that the buggy whip makers laughed as they watched the railroad barons suffer at the hands of the upstarts.
Is the same thing happening in the publishing industry? The big publishing houses are eerily similar to railroad barons. Entrenched. Mature. Proven. And like the railroad barons, they have no idea what the end game is. In forty five years, aviation transportation progressed from the Wright Brothers first flight on the beaches at Kitty Hawk, North Carolina to the Berlin Airlift, the largest humanitarian rescue effort at that time. No railroad could save Berlin in 1948.
Forty-five years. Sounds like a long time, doesn't it? Consider this - the first IBM personal computer hit the streets in August, 1981, a mere twenty nine years ago. What do you think your personal computer will do in 2026? Better yet, what do you think the Kindle will do?
Amazon is executing a brilliant strategy. Gillette gives away razors and sells razor blades. There's no confusion about what a razor does or why you need one. Amazon will follow the same strategy with the Kindle. People will continue to read using the format they love most. Just as some men prefer the straight razor, others the electric razor, and others the Gillette, we will find people reading hardback, paperback, and electronic books.
Planes, trains, and automobiles. Straight razors, electric razors, Gillette razors. Hardback, paperback, e-books. They are all here to stay. The real question is who are the buggy whip makers? Who will be left completely behind as the industry transforms?
One thing is certain. Stories will always be told. Doesn't matter if we are scribbling on cave walls, drawing in the dirt around the fire, or pounding our keyboards in silent desperation. The story will survive. And so will the storyteller.
--------------
C.L Phillips writes mystery novels while nestled under a hundred-year live oak tree in downtown Austin. Except in August. C.L writes about the the gap between what people want and what they actually do. Broccoli or chocolate chip cookies, anyone? Check out her web site: www.clphillips.com
or find her onTwitter: @clphillips787
Monday, August 2, 2010
Just Who Reads Mysteries?
So, just who DOES read myseries? It's been a mystery to us . . . but not for much longer.
Sisters in Crime (SinC) is pleased to announce that they have commissioned a comprehensive study on mystery readers' buying habits. Working with Bowker’s PubTrack Consumer service and its extensive standing panel of readers, SinC had the opportunity to ask mystery buyers in-depth questions about how they learned about the mysteries they buy and what motivated them to make an actual purchase. In an age when authors are increasingly expected to promote and market their own books, SinC wants to save members from spending their time and money on strategies that don't work, in favor of efforts that definitely reach consumers. The Bowker study will provide solid, real world data to guide members’ promotional efforts.
SinC expects to announce the results of this study in the fall of 2010, first to members, and then to the industry at large.
Representatives of Sisters in Crime, Bowker and other industry professionals will present the results of the study to the public in conjunction with Bouchercon, the world mystery conference, October 14-17, in San Francisco, CA.
Bowker is the world`s leading provider of bibliographic information management solutions.
Sisters in Crime (SinC) is pleased to announce that they have commissioned a comprehensive study on mystery readers' buying habits. Working with Bowker’s PubTrack Consumer service and its extensive standing panel of readers, SinC had the opportunity to ask mystery buyers in-depth questions about how they learned about the mysteries they buy and what motivated them to make an actual purchase. In an age when authors are increasingly expected to promote and market their own books, SinC wants to save members from spending their time and money on strategies that don't work, in favor of efforts that definitely reach consumers. The Bowker study will provide solid, real world data to guide members’ promotional efforts.
SinC expects to announce the results of this study in the fall of 2010, first to members, and then to the industry at large.
Representatives of Sisters in Crime, Bowker and other industry professionals will present the results of the study to the public in conjunction with Bouchercon, the world mystery conference, October 14-17, in San Francisco, CA.
Bowker is the world`s leading provider of bibliographic information management solutions.
Friday, July 30, 2010
SinC Into Great Writing 2010 -- In San Francisco!
You do not need to be registered for the conference to attend this one day workshop. Sisters in Crime has discounted this workshop for its members. The cost for the entire day including dinner is $50.00. The charge for non-members is $150.00 so join Sisters in Crime and save money!
Ayelet Waldman, NYT bestselling author, will be joining us as our dinner speaker. Dinner and coffee break included in $50/$150 registration fee. Check in will begin at 12:30pm in front of the workshop room. An e-mail will be sent to you with the room name at a later date. Special dietary requests will be honored. Please e-mail Beth with your request at sistersincrime@juno.com.
Spots fill up fast and we can only seat 120. Register now!
SinC Into Great Writing 2010! is sponsored by Sisters in Crime. Sisters in Crime will not be able to issue refunds.
Thursday, July 29, 2010
5 Myths About Being A Mystery Author
1.) We all get six-figure advances and are as rich as Janet Evanovich. *
2.) Our publishers send us out on fabulous, all-expenses paid book tours -- first class all the way. *
3.) We get all the books we want for free from our publishers. *
4.) Authors don't have to work hard to get an agent, editor or publisher.*
5.) We're all ex-police, ex-bounty-hunters, ex-private investigators or ex-wives.*
*#1 -- Pardon me while I wipe the tears of laughter from my face.
*#2 -- Most of us pay for our own book tours.
*#3 -- Authors get a set number of "author copies" (from none to whatever her/his agent can squeeze out of the publisher).
*#4 -- Let's not even GO there!
*#5 -- No, we're all ex-bored...we write because we love it.
Can you think of any more Myths?
2.) Our publishers send us out on fabulous, all-expenses paid book tours -- first class all the way. *
3.) We get all the books we want for free from our publishers. *
4.) Authors don't have to work hard to get an agent, editor or publisher.*
5.) We're all ex-police, ex-bounty-hunters, ex-private investigators or ex-wives.*
*#1 -- Pardon me while I wipe the tears of laughter from my face.
*#2 -- Most of us pay for our own book tours.
*#3 -- Authors get a set number of "author copies" (from none to whatever her/his agent can squeeze out of the publisher).
*#4 -- Let's not even GO there!
*#5 -- No, we're all ex-bored...we write because we love it.
Can you think of any more Myths?
Wednesday, July 28, 2010
WEDNESDAY'S BURNING QUESTION
Ellen Hart writes:
After returning from the SinC Summit trip to visit Apple, Amazon, Smashwords and Google, my ideas have changed enormously about ebooks. We're hoping to make the Summit report available to the membership early in August, so stay tuned.
My question for this week is:
How do you view ebooks? Are they the Great Industry Satan? Something you'll never use? Something you already use and like? Do you think ebooks are out to ruin the printed book? Are we about to see the death of the paper book? Are you anxious about this change in the industry? Excited? Wary? Do you think ebooks will provide you, as an author or a reader, any benefit? Are you sick of the subject and simply want to ignore it?
After returning from the SinC Summit trip to visit Apple, Amazon, Smashwords and Google, my ideas have changed enormously about ebooks. We're hoping to make the Summit report available to the membership early in August, so stay tuned.
My question for this week is:
How do you view ebooks? Are they the Great Industry Satan? Something you'll never use? Something you already use and like? Do you think ebooks are out to ruin the printed book? Are we about to see the death of the paper book? Are you anxious about this change in the industry? Excited? Wary? Do you think ebooks will provide you, as an author or a reader, any benefit? Are you sick of the subject and simply want to ignore it?
Tuesday, July 27, 2010
What's the deal . . .?
For some reason, authors (and it seems like mystery authors in particular) LOVE chocolate? Why do you think that is? And how about you? What's your favorite form of chocolate love?
Monday, July 26, 2010
To Die or Not to Die...But Definitely to Change
By Ellen Hart
Since taking over the blog in January, I've tried to provide new content and new interest. However, the longer I've been at it, the more I see that we need far more content, and perhaps an entirely new paradigm for the SinC National blog. What would that look like? I have ideas, as do many members and board members. We plan on having an in depth conversation about this during the board meeting at this year's Bouchercon.
In the interim, between August and the convention, we're going to try something new. And now for something completely different, as Monty Python used to say. Well, not completely. Buy different, yes.
The blog is clearly going to need more than one person providing the content to make it viable and interesting, a go-to place for our membership. What we need is a small, dedicated army. For the moment, a contingent of the Guppies and a few others, under the leadership of Lorraine Bartlett, has stepped up to the plate. This is the form it will take:
Monday: Personal Writing Odyssey Day. These will be blogs from writers telling their personal publishing story--how they were able to break into print. I think most of us will find these not only fascinating, but occasionally inspirational.
Tuesday: Realities of Modern Publishing Day. On Tuesday we will provide links to various recent articles on some facet of publishing. Good news or bad, we all need to keep up.
Wednesday: Chapter Day. On Wednesdays we'd like to give chapters the chance to tell the entire membership what they've been up to, what programs they've offered, or speakers who have come to a meeting to talk about their expertise. Anything and everything about a specific chapter.
Thursday: Nuts and Bolts Day. The Guppie Army will be asking writers to deliver blogs on various writing topics.
Friday: Interview Day. Each Friday, we will offer the membership an in-depth interview with a writing, publishing, science or industry professional, who we feel would be of interest to the membership.
Obviously, this change in structure may take some time to get up and running, but please do check back to see what's going on. And as always, if you have comments, please feel free to share them.
Onward and upward into the brave new blogosphere!
Since taking over the blog in January, I've tried to provide new content and new interest. However, the longer I've been at it, the more I see that we need far more content, and perhaps an entirely new paradigm for the SinC National blog. What would that look like? I have ideas, as do many members and board members. We plan on having an in depth conversation about this during the board meeting at this year's Bouchercon.
In the interim, between August and the convention, we're going to try something new. And now for something completely different, as Monty Python used to say. Well, not completely. Buy different, yes.
The blog is clearly going to need more than one person providing the content to make it viable and interesting, a go-to place for our membership. What we need is a small, dedicated army. For the moment, a contingent of the Guppies and a few others, under the leadership of Lorraine Bartlett, has stepped up to the plate. This is the form it will take:
Monday: Personal Writing Odyssey Day. These will be blogs from writers telling their personal publishing story--how they were able to break into print. I think most of us will find these not only fascinating, but occasionally inspirational.
Tuesday: Realities of Modern Publishing Day. On Tuesday we will provide links to various recent articles on some facet of publishing. Good news or bad, we all need to keep up.
Wednesday: Chapter Day. On Wednesdays we'd like to give chapters the chance to tell the entire membership what they've been up to, what programs they've offered, or speakers who have come to a meeting to talk about their expertise. Anything and everything about a specific chapter.
Thursday: Nuts and Bolts Day. The Guppie Army will be asking writers to deliver blogs on various writing topics.
Friday: Interview Day. Each Friday, we will offer the membership an in-depth interview with a writing, publishing, science or industry professional, who we feel would be of interest to the membership.
Obviously, this change in structure may take some time to get up and running, but please do check back to see what's going on. And as always, if you have comments, please feel free to share them.
Onward and upward into the brave new blogosphere!
Wednesday, July 21, 2010
WEDNESDAY'S BURNING QUESTION
Ellen Hart writes:
Our blog has received very little traffic since we started doing the Monday blogs and the Wednesday Burning questions. How could we make this site better? What would you like to see on the blog site that isn't there now?
Monday, July 19, 2010
You don't scare me, Kindle!
By Guest Blogger Dana Stabenow
Kindle. eReader. EZReader. The Alex. The Que. The Nook, iRex, Plastic Logic.
Every time a new e-reader debuts, the book world hurls itself into a panic.“…[P]ublishers are distracting themselves by fretting over the price of eBooks, withholding eBook releases so as not to cannibalize hardcover book sales, and watching helplessly as their businesses erode,” Reuters quoted Forrester analyst Sarah Rotman Epps. (RedOrbit.com).
So. Is this the end of the book? Am I about to be out of a job? Man, I was just getting started here.
I’m bucking the trend. I don’t think so.
The October 25 Sunday New York Times wrote, “Amazon says Kindle owners buy 3.1 times as many books as they did before getting one. Sony says its e-book users are also inspired. “You are going to see very significant growth rates,” said Jeffrey P. Bezos, the head of Amazon.
Gen Xers were raised reading on screens, and that’s how many of them are now reading books. Further, the explosion of online social networking and personal and professional blogs is accustoming many in the baby boomer generation to the habit of reading onscreen. An e-format book is going to look more familiar and reassuring every time they log on to Facebook.
I myself recently downloaded a Great Books app to my iPhone, and guess what? If I were stuck in an airport waiting for a late plane and I’d accidentally packed my book in my checked baggage (it’s happened, and the horror), I could reread Pride and Prejudice on my iPhone just fine. It scrolls past at a speed I set in a font I choose and I’ve got over 150 public domain titles from which to pick, including all of Sherlock Holmes and The Three Musketeers plus both sequels. If I were toting all that around in book form my bag would never fit into the overhead bin. Not to mention what it would do to my back trying to get it there.
So I’m selling my Star Svensdotter and Liam Campbell novels, long out of print, on Kindle and iPhone, and as soon as I get five minutes I’m going to get tech-friendly with uploading all my out-of-print titles, including short stories, for sale on all the other e-devices as well.
As I was writing this post, I checked the iTunes App store book page. The number one free app? Kindle for iPhone. Number two? The B&N eReader. As it happens, I don’t need either one of them because my app has its own built-in reader. And it and all the books it comes with cost me the magnificent sum of $1.99. At that price, you think I won’t buy more?
Eric over at Pimp My Novel says, “These cheap books might be the death of publishing, book sharing might be the death of publishing, Stephen King is delaying his e-book because e-books are the death of publishing…is anyone else bored of this conversation?” and then links to Lit Drift’s 5 Reasons Why the Novel is Not a Dying Medium, where they channel Mark Twain in saying that the death of the novel is greatly exaggerated.
On his blog, literary agent Nathan Bransford says, “Things are changing, it’s going to be an interesting/challenging couple of years as we gradually succumb to our coming e-book overlords, but it doesn’t mean the novel is going to disappear or that we’re all going to hell in a handbasket. Things aren’t going to be worse (at least in the long term), they’re just going to be different…”
I can do different. My feeling is that the more ways you can read, the more you will read, which is only good news for me. I do not mean to make light of the real changes facing everyone at every level of the publishing industry. Change is always scary.
But change doesn’t have to be bad, and in this case, I don’t believe it is.
=========================================
Dana Stabenow was born in Anchorage and raised on 75-foot fish tender in the Gulf of Alaska. She knew there was a warmer, drier job out there somewhere and found it in writing books. Her first science fiction novel, Second Star, sank without a trace, her first crime fiction novel, A Cold Day for Murder, won an Edgar award, her first thriller, Blindfold Game, hit the New York Times bestseller list, and her twenty-seventh novel and eighteenth Kate Shugak novel, Though Not Dead, comes out in February 2011. Visit her web site: http://www.stabenow.com/
Kindle. eReader. EZReader. The Alex. The Que. The Nook, iRex, Plastic Logic.
Every time a new e-reader debuts, the book world hurls itself into a panic.“…[P]ublishers are distracting themselves by fretting over the price of eBooks, withholding eBook releases so as not to cannibalize hardcover book sales, and watching helplessly as their businesses erode,” Reuters quoted Forrester analyst Sarah Rotman Epps. (RedOrbit.com).
So. Is this the end of the book? Am I about to be out of a job? Man, I was just getting started here.
I’m bucking the trend. I don’t think so.
The October 25 Sunday New York Times wrote, “Amazon says Kindle owners buy 3.1 times as many books as they did before getting one. Sony says its e-book users are also inspired. “You are going to see very significant growth rates,” said Jeffrey P. Bezos, the head of Amazon.
Gen Xers were raised reading on screens, and that’s how many of them are now reading books. Further, the explosion of online social networking and personal and professional blogs is accustoming many in the baby boomer generation to the habit of reading onscreen. An e-format book is going to look more familiar and reassuring every time they log on to Facebook.
I myself recently downloaded a Great Books app to my iPhone, and guess what? If I were stuck in an airport waiting for a late plane and I’d accidentally packed my book in my checked baggage (it’s happened, and the horror), I could reread Pride and Prejudice on my iPhone just fine. It scrolls past at a speed I set in a font I choose and I’ve got over 150 public domain titles from which to pick, including all of Sherlock Holmes and The Three Musketeers plus both sequels. If I were toting all that around in book form my bag would never fit into the overhead bin. Not to mention what it would do to my back trying to get it there.
So I’m selling my Star Svensdotter and Liam Campbell novels, long out of print, on Kindle and iPhone, and as soon as I get five minutes I’m going to get tech-friendly with uploading all my out-of-print titles, including short stories, for sale on all the other e-devices as well.
As I was writing this post, I checked the iTunes App store book page. The number one free app? Kindle for iPhone. Number two? The B&N eReader. As it happens, I don’t need either one of them because my app has its own built-in reader. And it and all the books it comes with cost me the magnificent sum of $1.99. At that price, you think I won’t buy more?
Eric over at Pimp My Novel says, “These cheap books might be the death of publishing, book sharing might be the death of publishing, Stephen King is delaying his e-book because e-books are the death of publishing…is anyone else bored of this conversation?” and then links to Lit Drift’s 5 Reasons Why the Novel is Not a Dying Medium, where they channel Mark Twain in saying that the death of the novel is greatly exaggerated.
On his blog, literary agent Nathan Bransford says, “Things are changing, it’s going to be an interesting/challenging couple of years as we gradually succumb to our coming e-book overlords, but it doesn’t mean the novel is going to disappear or that we’re all going to hell in a handbasket. Things aren’t going to be worse (at least in the long term), they’re just going to be different…”
I can do different. My feeling is that the more ways you can read, the more you will read, which is only good news for me. I do not mean to make light of the real changes facing everyone at every level of the publishing industry. Change is always scary.
But change doesn’t have to be bad, and in this case, I don’t believe it is.
=========================================
Dana Stabenow was born in Anchorage and raised on 75-foot fish tender in the Gulf of Alaska. She knew there was a warmer, drier job out there somewhere and found it in writing books. Her first science fiction novel, Second Star, sank without a trace, her first crime fiction novel, A Cold Day for Murder, won an Edgar award, her first thriller, Blindfold Game, hit the New York Times bestseller list, and her twenty-seventh novel and eighteenth Kate Shugak novel, Though Not Dead, comes out in February 2011. Visit her web site: http://www.stabenow.com/
Thursday, July 15, 2010
Wednesday, July 14, 2010
WEDNESDAY'S BURNING QUESTION
Ellen Hart writes:
Most writers seem to be drawn to quotations about writing. I've builtup quite a list over the twenty years I've been at it. Here are a couple of favorites:
"Writing, like life itself, is a voyage of discovery." Henry Miller.
"We are all apprentices in a craft where no one ever becomes a master." Ernest Hemingway.
This weeks burning question is: Do you have a favorite quotation about the craft of writing that you'd like to share?"
Most writers seem to be drawn to quotations about writing. I've builtup quite a list over the twenty years I've been at it. Here are a couple of favorites:
"Writing, like life itself, is a voyage of discovery." Henry Miller.
"We are all apprentices in a craft where no one ever becomes a master." Ernest Hemingway.
This weeks burning question is: Do you have a favorite quotation about the craft of writing that you'd like to share?"
Tuesday, July 13, 2010
Monday, July 12, 2010
DREW’S CLUES TO CREATIVE WRITING
By guest blogger Penny Warner
Nancy Drew turned 80 this year. Yet she still doesn’t look a day over 18. I want to be Nancy Drew. Now, after selling over 50 books to publishers, including and THE OFFICIAL NANCY DREW HANDBOOK and my new series, HOW TO HOST A KILLER PARTY, which features a “Nancy Drew” character and several of Nancy Drew’s sleuthing skills, I realized that everything I know about writing, I learned from reading Nancy Drew mysteries. Here are 13 of Drew’s clues to improving your writing skills—and sell your own sleuthing mystery!
1. Create unforgettable characters: “You know Nancy.” All agreed she possessed an appealing quality, which people never forgot. ~ Clue in the Diary
All stories are based on interesting characters—there are no exceptions. Introduce us to your character a little at a time, using action and dialogue (showing), rather than a thumbnail sketch (telling). Create realistic characters without using stereotypical traits, and include some surprises about the character that are believable. Finally, give the characters conflict—happy characters make dull characters.
2. Use dialogue: Suddenly the young sleuth snapped her fingers. “I know what I’ll do! I’ll set a trap for that ghost!” ~ The Hidden Staircase
Dialogue makes a story come alive. It also helps move the story along, increases pace and creates drama. Listen to real conversations for realism, then edit and tighten them to make the dialogue readable. Keep attribution simple—use action or “said,” rather than adverbs and euphemisms for “said.” Finally, read your dialogue aloud.
3. Set the scene: Many Colonial houses had secret passageways. “Do you know any entrances a thief could use?” ~The Hidden Staircase
A vivid setting pulls the reader into the story. It also intensifies suspense and becomes a character in itself. Show the setting through the character’s eyes and include all five senses, telling details, and occasional metaphors.
4. Add mood and atmosphere: Nancy had heard music, thumps and creaking noises at night, and had seen eerie, shadows on walls. ~ The Hidden Staircase
Give a sense of foreboding through description. Mood and atmosphere give the story depth and stimulate the emotions of the readers. Use foreshadowing to give the reader a feeling of unease.
5. Outline your plot: Ellen was alarmed. “We must do something to stop him!” “I have a little plan,” Nancy said. ~ Quest of the Missing Map
Before you begin writing, outline your plot so you know, generally, where the story is headed. You can keep it simple and just jot down the major plot points of the story—where the story takes a surprising turn and how it ratchets up the suspense. Or you can write a detailed chapter-by-chapter outline, with the option of veering off if the story requires an alteration.
6. Start the clock ticking: “Hurry, girls, or we’ll miss the train to River Heights!” Nancy knew being on time was important. ~ Secret of Red Gate Farm
Begin with the inciting incident, which starts the clock ticking. Include not only the situation, but where it takes place, and who’s involved. This is where you ask the story questions: What if….? Think about your goal as start the story and where it will lead.
7. Create conflict: Nancy struggled to get away. She twisted, kicked and clawed. “Let me go!” Nancy cried. ~ Secret of the Old Clock
There is no story without conflict. The protagonist must come up against an antagonist, which can be a person, an idea, a corporation, or some kind of evil. Conflict helps reveal the protagonist’s needs, values, and fears, and causes her to confront her demons, challenge herself, and become a hero of sorts.
8. Pack it with action: “How do we get in?” “Over the top, commando style,” George urged. “Lucky we wore jeans.” ~ Clue in the Crumbling Wall
Today’s reader wants action, so give your protagonist opportunities to do something physical. Give her a choice between fight or flight, and when she fights—make her strong but still vulnerable.
9. Spark reader’s emotions: Nancy was too frightened to think logically. She beat on the door, but the panels would not give way. ~ Secret of the Old Clock
Crank up the reader’s involvement but increasing the character’s emotional risk. This way the reader will care about the story. If she can relate to the protagonist’s emotional jeopardy, she’ll be hooked on finding out what happens.
10. Raise the stakes: In a desperate attempt to break down the door Nancy threw her weight against it again and again. ~ Secret of the Old Clock
The story begins with a challenge for the protagonist. But that’s not enough. As the story moves along, something worse must happen. And just when you think it’s safe to go back into the water, things become even worse. Keep raising the stakes to keep those pages turning.
11. Make the situation hopeless: “We’re locked in!” Nancy exclaimed, and began banging on the door with her fist. ~ Nancy’s Mysterious Letter
When all seems lost and the protagonist is about to give up because she’s running out of time and is under extreme pressure, she must find the courage to go on, make other decisions, and get herself out of this devastating trouble.
12. Give the protagonist strength: “Girls don’t faint these days,” George scoffed. ~ Secret of Red Gate Farm
As the protagonist comes face to face with the antagonist, she must pull out all her reserves and use her own skills to change the situation. This heroic attempt must also create growth and change in the protagonist.
13. Don’t give up: Nancy tried to open the door. It was locked. Not easily discouraged, she tried a window; it was unlocked. ~The Hidden Staircase
I really believe the reason I’ve had over 50 books published is simply because—like Nancy Drew—I never gave up!
==========================================
Penny Warner is the author of THE OFFICIAL NANCY DREW HANDBOOK, and the party-planning mystery series, HOW TO HOST A KILLER PARTY and HOW TO CRASH A KILLER BASH, from Penguin. She can be reached at www.pennywarner.com.
Nancy Drew turned 80 this year. Yet she still doesn’t look a day over 18. I want to be Nancy Drew. Now, after selling over 50 books to publishers, including and THE OFFICIAL NANCY DREW HANDBOOK and my new series, HOW TO HOST A KILLER PARTY, which features a “Nancy Drew” character and several of Nancy Drew’s sleuthing skills, I realized that everything I know about writing, I learned from reading Nancy Drew mysteries. Here are 13 of Drew’s clues to improving your writing skills—and sell your own sleuthing mystery!
1. Create unforgettable characters: “You know Nancy.” All agreed she possessed an appealing quality, which people never forgot. ~ Clue in the Diary
All stories are based on interesting characters—there are no exceptions. Introduce us to your character a little at a time, using action and dialogue (showing), rather than a thumbnail sketch (telling). Create realistic characters without using stereotypical traits, and include some surprises about the character that are believable. Finally, give the characters conflict—happy characters make dull characters.
2. Use dialogue: Suddenly the young sleuth snapped her fingers. “I know what I’ll do! I’ll set a trap for that ghost!” ~ The Hidden Staircase
Dialogue makes a story come alive. It also helps move the story along, increases pace and creates drama. Listen to real conversations for realism, then edit and tighten them to make the dialogue readable. Keep attribution simple—use action or “said,” rather than adverbs and euphemisms for “said.” Finally, read your dialogue aloud.
3. Set the scene: Many Colonial houses had secret passageways. “Do you know any entrances a thief could use?” ~The Hidden Staircase
A vivid setting pulls the reader into the story. It also intensifies suspense and becomes a character in itself. Show the setting through the character’s eyes and include all five senses, telling details, and occasional metaphors.
4. Add mood and atmosphere: Nancy had heard music, thumps and creaking noises at night, and had seen eerie, shadows on walls. ~ The Hidden Staircase
Give a sense of foreboding through description. Mood and atmosphere give the story depth and stimulate the emotions of the readers. Use foreshadowing to give the reader a feeling of unease.
5. Outline your plot: Ellen was alarmed. “We must do something to stop him!” “I have a little plan,” Nancy said. ~ Quest of the Missing Map
Before you begin writing, outline your plot so you know, generally, where the story is headed. You can keep it simple and just jot down the major plot points of the story—where the story takes a surprising turn and how it ratchets up the suspense. Or you can write a detailed chapter-by-chapter outline, with the option of veering off if the story requires an alteration.
6. Start the clock ticking: “Hurry, girls, or we’ll miss the train to River Heights!” Nancy knew being on time was important. ~ Secret of Red Gate Farm
Begin with the inciting incident, which starts the clock ticking. Include not only the situation, but where it takes place, and who’s involved. This is where you ask the story questions: What if….? Think about your goal as start the story and where it will lead.
7. Create conflict: Nancy struggled to get away. She twisted, kicked and clawed. “Let me go!” Nancy cried. ~ Secret of the Old Clock
There is no story without conflict. The protagonist must come up against an antagonist, which can be a person, an idea, a corporation, or some kind of evil. Conflict helps reveal the protagonist’s needs, values, and fears, and causes her to confront her demons, challenge herself, and become a hero of sorts.
8. Pack it with action: “How do we get in?” “Over the top, commando style,” George urged. “Lucky we wore jeans.” ~ Clue in the Crumbling Wall
Today’s reader wants action, so give your protagonist opportunities to do something physical. Give her a choice between fight or flight, and when she fights—make her strong but still vulnerable.
9. Spark reader’s emotions: Nancy was too frightened to think logically. She beat on the door, but the panels would not give way. ~ Secret of the Old Clock
Crank up the reader’s involvement but increasing the character’s emotional risk. This way the reader will care about the story. If she can relate to the protagonist’s emotional jeopardy, she’ll be hooked on finding out what happens.
10. Raise the stakes: In a desperate attempt to break down the door Nancy threw her weight against it again and again. ~ Secret of the Old Clock
The story begins with a challenge for the protagonist. But that’s not enough. As the story moves along, something worse must happen. And just when you think it’s safe to go back into the water, things become even worse. Keep raising the stakes to keep those pages turning.
11. Make the situation hopeless: “We’re locked in!” Nancy exclaimed, and began banging on the door with her fist. ~ Nancy’s Mysterious Letter
When all seems lost and the protagonist is about to give up because she’s running out of time and is under extreme pressure, she must find the courage to go on, make other decisions, and get herself out of this devastating trouble.
12. Give the protagonist strength: “Girls don’t faint these days,” George scoffed. ~ Secret of Red Gate Farm
As the protagonist comes face to face with the antagonist, she must pull out all her reserves and use her own skills to change the situation. This heroic attempt must also create growth and change in the protagonist.
13. Don’t give up: Nancy tried to open the door. It was locked. Not easily discouraged, she tried a window; it was unlocked. ~The Hidden Staircase
I really believe the reason I’ve had over 50 books published is simply because—like Nancy Drew—I never gave up!
==========================================
Penny Warner is the author of THE OFFICIAL NANCY DREW HANDBOOK, and the party-planning mystery series, HOW TO HOST A KILLER PARTY and HOW TO CRASH A KILLER BASH, from Penguin. She can be reached at www.pennywarner.com.
Wednesday, July 7, 2010
Wednesday's Burning Question
EH writes:
I've heard writers talk about characters in such a way that it makes me wonder who's in charge. One famous author said recently that he had a character walk into his story and take over a significant portion of the arc. He said that when this happens, a writer should consider it a gift and go with it. Other writers are more cut and dried about it. They're the author. Characters do what they say, period.
My question this week is: Do you ever allow a character to pull you in a certain direction, even if it takes you somewhere you didn't intend to go? Or is that too woo woo? Too magical? Who's the boss in your novels?
I've heard writers talk about characters in such a way that it makes me wonder who's in charge. One famous author said recently that he had a character walk into his story and take over a significant portion of the arc. He said that when this happens, a writer should consider it a gift and go with it. Other writers are more cut and dried about it. They're the author. Characters do what they say, period.
My question this week is: Do you ever allow a character to pull you in a certain direction, even if it takes you somewhere you didn't intend to go? Or is that too woo woo? Too magical? Who's the boss in your novels?
Monday, July 5, 2010
Writing the Other
By Guest Blogger Sarah Smith
Recently I finished a novel, The Other Side of Dark, in which one of the two first-person point-of-view characters is a teenaged African-American boy. Though members of my family are of African ancestry, I self-identify as white (and I’m not teenaged either). I was terrified to even attempt a first-person character whose life experience was so different from mine.
Still, SJ Rozan had created Lydia Chin, Barbara Hambly had written about Benjamin January. If they could succeed—well, at least I could try to write about Law Walker, and try to find his voice.
Here are a couple of things I learned. They might apply to writing about any character who is significantly different in age, gender, class, or ethnicity from you.
First, though people made me welcome, often I was way out of my comfort zone. It felt impolite to ask about race and class. It was unfamiliar to read books written for the assumptions of African Americans. (Nat Turner was a revolutionary hero? In a kids’ book?) I visited places where I felt like an unwelcome minority.
My friends from various “different” groups just rolled their eyes when I thought this was unusual.
I genuinely knew nothing. Barbara Neely gave me some wonderful advice, early on. “You can learn,” she said. “You can read. Ask questions. Listen.” Research would help? Research I could do. I learned new ways of looking at American history, read marvelous authors, and heard stories whose existence I had never suspected.
Still, research only goes so far; I knew I’d get things wrong. My friends read drafts and told me what I should change. I went out and recruited people to read The Other Side of Dark, from historians to landscape architects and African-American activists. They helped to ground the characters in the details of real life and saved me from repeated stupidity. They graciously accepted my apologies when I was especially dense.
One of the many rewards of working on this book was hearing new opinions and new voices. I read everything -- mystery novels and history, popular fiction and self-help books—and listened, and I heard people speaking their minds forcefully and persuasively. I adapted and echoed some of those voices for characters in The Other Side of Dark. Law’s father, for instance, owes a lot to a radical American historian whose work I admire.
Recently, a white student at a historically black university was asked the cringe-worthy question, “What are black people like?” He blinked and said, “What are white people like?” Books about someone who’s different from you are not about the difference, they’re about the someone. In The Other Side of Dark, Law has wanted to date the same girl for four years without ever daring to ask her out; he wants to be an architect but his successful father looms over him. Mrs. Wilson has to stop a girl getting killed. Law’s father wants success too hard … They all happen to be African Americans, but their problems are no more “African American problems” than (white) Katie’s seeing ghosts is a “white problem.”
What are “different” people like?
What are people like?
There is one problem about “writing the difference” that does bother me deeply. Writers who write about “different” people, and who are not “different”, can find it easier to get published than people who are “different”. (Hard to believe that anyone, ever, finds it easy to get published.) White privilege exists, the way homophobia and sexism and ageism exist. “Different” itself is a prejudicial term that assumes something else is “normal.” Nisi Shawl’s and Cynthia Ward’s classic book on writing and cultural variety puts it much better: Writing the Other.
If you’re the beneficiary of not being “different,” pay it forward. Don’t just read books; if you like them, buy them. Add them to your LibraryThing or Goodreads library. Review them. Tell your friends about them. Friend their authors on Facebook so your friends can find them more easily.
Visit my site or Facebook page in coming weeks for some of the books I like and some of the stories I’ve heard.
=====================================
Sarah Smith’s The Other Side of Dark, a YA ghost thriller, will be published by Atheneum in November. Her Web site is www.sarahsmith.com; you can visit and friend her at www.facebook.com/sarahwriter or www.facebook.com/SarahSmithBooks
Writing the Other is available from Aqueduct Press, www.aqueduct.com
Recently I finished a novel, The Other Side of Dark, in which one of the two first-person point-of-view characters is a teenaged African-American boy. Though members of my family are of African ancestry, I self-identify as white (and I’m not teenaged either). I was terrified to even attempt a first-person character whose life experience was so different from mine.
Still, SJ Rozan had created Lydia Chin, Barbara Hambly had written about Benjamin January. If they could succeed—well, at least I could try to write about Law Walker, and try to find his voice.
Here are a couple of things I learned. They might apply to writing about any character who is significantly different in age, gender, class, or ethnicity from you.
First, though people made me welcome, often I was way out of my comfort zone. It felt impolite to ask about race and class. It was unfamiliar to read books written for the assumptions of African Americans. (Nat Turner was a revolutionary hero? In a kids’ book?) I visited places where I felt like an unwelcome minority.
My friends from various “different” groups just rolled their eyes when I thought this was unusual.
I genuinely knew nothing. Barbara Neely gave me some wonderful advice, early on. “You can learn,” she said. “You can read. Ask questions. Listen.” Research would help? Research I could do. I learned new ways of looking at American history, read marvelous authors, and heard stories whose existence I had never suspected.
Still, research only goes so far; I knew I’d get things wrong. My friends read drafts and told me what I should change. I went out and recruited people to read The Other Side of Dark, from historians to landscape architects and African-American activists. They helped to ground the characters in the details of real life and saved me from repeated stupidity. They graciously accepted my apologies when I was especially dense.
One of the many rewards of working on this book was hearing new opinions and new voices. I read everything -- mystery novels and history, popular fiction and self-help books—and listened, and I heard people speaking their minds forcefully and persuasively. I adapted and echoed some of those voices for characters in The Other Side of Dark. Law’s father, for instance, owes a lot to a radical American historian whose work I admire.
Recently, a white student at a historically black university was asked the cringe-worthy question, “What are black people like?” He blinked and said, “What are white people like?” Books about someone who’s different from you are not about the difference, they’re about the someone. In The Other Side of Dark, Law has wanted to date the same girl for four years without ever daring to ask her out; he wants to be an architect but his successful father looms over him. Mrs. Wilson has to stop a girl getting killed. Law’s father wants success too hard … They all happen to be African Americans, but their problems are no more “African American problems” than (white) Katie’s seeing ghosts is a “white problem.”
What are “different” people like?
What are people like?
There is one problem about “writing the difference” that does bother me deeply. Writers who write about “different” people, and who are not “different”, can find it easier to get published than people who are “different”. (Hard to believe that anyone, ever, finds it easy to get published.) White privilege exists, the way homophobia and sexism and ageism exist. “Different” itself is a prejudicial term that assumes something else is “normal.” Nisi Shawl’s and Cynthia Ward’s classic book on writing and cultural variety puts it much better: Writing the Other.
If you’re the beneficiary of not being “different,” pay it forward. Don’t just read books; if you like them, buy them. Add them to your LibraryThing or Goodreads library. Review them. Tell your friends about them. Friend their authors on Facebook so your friends can find them more easily.
Visit my site or Facebook page in coming weeks for some of the books I like and some of the stories I’ve heard.
=====================================
Sarah Smith’s The Other Side of Dark, a YA ghost thriller, will be published by Atheneum in November. Her Web site is www.sarahsmith.com; you can visit and friend her at www.facebook.com/sarahwriter or www.facebook.com/SarahSmithBooks
Writing the Other is available from Aqueduct Press, www.aqueduct.com
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