Thursday, October 28, 2010

The Booksmith: A Conversation with an Independent Book Seller, Part 2 of 2

By Linda Lovely


Today’s blog entry is Part 2 of a recent interview with independent bookstore owner Tricia Lightweis. Tricia and her husband, Alan, opened The Booksmith in Seneca, SC, in 1989.

Do many of your customers read thrillers, mysteries and/or suspense?

I’d estimate about five percent of our customer base reads exclusively in these genres. However, I think half of our regular clientele read the gamut of genres and often choose mysteries or suspense.

One interesting development over the past five years has been the increased willingness of readers to try books by international writers. In years past, we had a hard time interesting local readers, no matter how good the book might be. The popularity of Stieg Larsson is a prime example of how acceptance has broadened.

How do you connect with readers and build loyalty?

It’s very important to show respect for readers’ favorite genres—including mystery, romance and paranormal. A bookseller shows respect by making sure the newest releases are in stock, as well as a good supporting backlist.

Every month for the past 20 years, we’ve distributed between 4,000 and 7,000 newspaper inserts. In the past, these inserts were all 24-page industry tabs filled with reviews and other book news. Recently we’ve begun to alternate the industry inserts with a much more personalized 12-page newsletter. We also send out an e-mail marketing letter.

We sponsor many author book signings and events, and invest substantial sums in advertising them via print and radio. One of our success factors has been our willingness to devote a lot of money to marketing and supporting the book industry.

We’ve had a loyalty program since day one as well. We stamp a card each time a customer buys a book. When enough stamps are accumulated, they can be redeemed for discounts.

How do you select authors for book signing events?

In order for us to invite an author, the individual has to be on our radar. And 99 percent of the time, the only way we know about a regional author—regardless of who their publisher might be—is if they approach us.

When they do ask us to host events, we expect them to roll up their sleeves and work with us. We expect them to be available when our customers shop and to be friendly and able to talk with customers. We also expect them to help by marketing themselves.

Before the event, they should contact friends and family and encourage them to come. These days we also insist that authors provide links to our store on their websites or blogs. An author who expects our help had better have a link to let their fans buy books on the indie bookstore’s website. Having links to Amazon or Barnes & Noble and no link to an indie site is a slap in the face.

What other mistakes do authors make when dealing with independent bookstores?

Bookstores—especially if they advertise aggressively—don’t make money on author signing events. But events are a vehicle to bring new people into the store and build relationships. Unfortunately, not every book is a good candidate for a book signing. Recently I had a woman who’d written a book on genealogy and wanted me to host a book signing. I told her it was too specialized for our store, customer base and location.

When we decline, authors do themselves no favor if they get offended and become offensive. We may be able to help them in other ways. It’s a business and they should operate professionally.

What do you see as your role in the community?

An independent bookstore should absolutely be a community center. It should be a place where people from different backgrounds can gather, chat and feel welcome. That’s part of the independent bookstore culture.

We’ve all endured challenges as to what books we should carry in our stores. We stand our ground on that front and always will. We are awfully glad to have the support of the National Coalition Against Censorship and the American Booksellers Foundation for Free Expression.



The Booksmith [www.thebooksmith.com] is a member of the Southeastern Independent Booksellers Association (SIBA), The American Booksellers Association (ABA) and the American Booksellers Foundation for Free Expression (ABFFE).


Award-winning author Linda Lovely writes romantic suspense novels featuring “smart, sexy heroines caught up in danger-packed situations that require them to partner with equally smart, sexy men.” Her novel, "Counterfeit," is a finalist in the Romantic Suspense category of the 2010 Golden Heart contest sponsored by the Romance Writers of America.

Wednesday, October 27, 2010

The Booksmith: A Conversation with an Independent Book Seller, Part 1 of 2


By Linda Lovely

Independent bookstore statistics appear to tell a story that’s all gloom and doom. Over half of the 5,000 indie bookstores open for business in 1991 had closed by 2009 and their share of market slid from 31% to 12%. Yet many survivors flourish. How?

Tricia Lightweis, who opened The Booksmith in Seneca, SC, in 1989 with her husband, Alan, thinks constant re-evaluation is the key to indie success. In a recent interview, she talked about indie survival strategies, relationships with authors and readers, changing technology and the bookstore’s role in the community. Here’s Part 1 of that interview:


Give us a little history first. What prompted you to open The Booksmith?

This is our 21st year in the same Seneca, South Carolina, shopping plaza. I’d already opened an International Deli in this plaza. I opened The Booksmith for our four children. I was an avid reader and so were my children. The nearest bookstore was 50 miles away, and I was taking my children to the library twice a week. If I felt a need for a bookstore for my children and myself, I figured plenty of other parents would appreciate one, too. When we opened in 1989, we were 100 percent focused on books.

How has The Booksmith changed?

We expanded the Booksmith and doubled the square footage 10 years ago. We also began selling book-related sidelines. At that time, our book-to-sideline ratio was 90% - 10%.

After the inclusion of a U.S. Postal Service contract unit into our facility, we realized that Booksmith needed to diversify and increase the sideline inventory to appeal to non-readers. We noted that placement of this new inventory should surround the immediate postal area and the walkway entrance. We also incorporated the immediate area with our Regional & Travel book genres hoping they would appeal to everyone.

The change was not applauded by some of our book-purist customers. One woman screamed that Booksmith was no longer a bookstore. I explained to her, if I showed her our inventory and sales reports, she’d see that books still represented 80 percent of our business.

The visual impression can be misleading. If you’re going to survive in business, you have to constantly challenge yourself – reevaluate and change your business model to reflect current buying trends. It appears that bookstores that haven’t offered diversification are struggling the most.

Any comments on changes in book formats and technology?

We now offer e-books on our web site. We’re onboard with the new technology. In the future, when Sony or other providers produce an e-book reader geared to the independent world of bookselling, we’ll be right there with them. We will not offer the Kindle, which uses a proprietary format.

While there’s been talk about print-on-demand machines in bookstores, I don’t think you’ll find them outside of major cities for many years to come. The cost is simply too high.

Paper books aren’t going to disappear. Many readers – myself included – still want physical books they can hold in their hands. But the format has changed. In 1989, 100 percent of our paperbacks were mass market. Now it’s just the opposite. Large-format paperbacks rule.


The Booksmith [www.thebooksmith.com] is a member of the Southeastern Independent Booksellers Association (SIBA), The American Booksellers Association (ABA) and the American Booksellers Foundation for Free Expression (ABFFE).


Award-winning author Linda Lovely writes romantic suspense novels featuring “smart, sexy heroines caught up in danger-packed situations that require them to partner with equally smart, sexy men.” Her novel, "Counterfeit," is a finalist in the Romantic Suspense category of the 2010 Golden Heart contest sponsored by the Romance Writers of America.


Photo courtesy of The Booksmith.


Monday, October 25, 2010

Things You Don't Know About Harley Jane Kozak


SinC: What are your favorite shoes (heels, sneakers, flip-flops, whatever?)

HJK: Okay, I never used to be able to wear flip-flops -- having that little divider between the toes gave me the heebie-jeebies. Then, about a year ago, I just got over it! Now I have about 17 pairs of flip-flops. It gives me faith in the transformative powers of the human species.


SinC: Is there anything you'd never leave home without?

HJK: Lip gloss and body lotion. It’s because I live in the desert of Southern California.


SinC: What do you wish you had more time for?

HJK: Sleeping.


SinC: Is there anyone from the past you would like to talk to for just 15 minutes?

HJK: At the moment, I’m a little obsessed with Genghis Khan. (can one be “a little” obsessed?)


SinC: What word do you absolutely hate?

HJK: “Awesome” has bugged me for about seven years.


SinC: Do you dream in color or black and white?

HJK: I have no idea. How unobservant of me.


SinC: If the F.B.I. had to give you a new identity, what name would you choose?

HJK: Trixie.


SinC: Favorite food?

HJK: Red velvet cake.


SinC: Favorite drink?

HJK: Vanilla milkshake.


SinC: Most embarrassing moment?

HJK: A lot of cringe-worthy moments as an actress, but in real life, it was the things that came out of me while in labor with my first baby.


SinC: First job?

HJK: Working at my brother-in-law’s tractor parts company.


SinC: Worst job?

HJK: Doing a scene with rats climbing over my face on The Guiding Light.


SinC: Favorite dessert?

HJK: Red velvet cake -- again.


SinC: If you weren't a published author, what would you be?

HJK: A politician.


SinC: If you could be one of your characters, who would it be and why?

HJK: A teenage physics prodigy named Apollo. I think it would be nice to understand physics.


Harley Jane Kozak, author of the award-winning Wollie Shelley mysteries, is also known for her work on stage, screen and television. You may find even more things you don't know about her at her website, harleyjanekozak.com.

Photo courtesy of Harley Jane Kozak.

Thursday, October 21, 2010

Bouchercon 2010: Guppies by the Bay



A photo collage by Gigi Pandian.

Gigi Pandian is an award-winning mystery author, graphic designer and photographer based in the San Francisco Bay Area. She won the William F. Deeck Malice Domestic Grant for her first mystery novel and was a finalist in the St. Martin's Press/Malice Domestic Best First Traditional Mystery competition.

Friday, October 15, 2010

Unforgettable!

Ayo Onatade, who I met through Mystery Women in the U.K., a sisterly relation to Sisters in Crime, passed this fun idea on to me.

List 10 mysteries you’ve read that will always stick with you. Don't take too long to think about it. List the first 10 you can recall in no more than 10 minutes.

I’ll start …


Daughter of Time by Josephine Tey

Out of the Blackout by Robert Barnard

Strange Children by Kate Charles

Dreaming of the Bones by Deborah Crombie

Game of Kings by Dorothy Dunnett -- the whole Lymond series, actually!

Door Into Summer by Robert Heinlein

The Nine Tailors by Dorothy L Sayers

Tropic of Night by Michael Gruber

Wine of Angels by Phil Rickman

An Air That Kills by Andrew Taylor


Now, your turn. Ready ... set ... go!


Thursday, October 14, 2010

Sgt. Wordslayer : Resistance Training

By C.L. Phillips

Attention!

So, you're back for another SWAT Boot Camp Workout with Sgt. Wordslayer? Say it with me. SWAT: Stop Withering Away Tension. Stand up and give me five jumping jacks. You didn't think writing was all about keeping your butt in the chair, did you? No, today your blood is going to boil in your veins.

Troops, today is Resistance Training Day. You will be tougher storytellers or you will eat your pencil lead. Are you ready for your first test? In your current WIP, in Act I, who is beating your hero? Who resists your hero and makes life more difficult? What? Nobody? No, no, no, that simply won't do.

Resistance is essential for every scene. Nobody wants to read about a weakling getting what they want every time they ask for it. Resistance creates action. Swings and Beats. Conversations with your mother-in-law. Doesn't matter what you call it, your hero needs opposition to grow strong.

What is your hero's number one fear? Make it happen. Maybe she's afraid to spoil her manicure doing the dishes. Or could your swashbuckling hero be afraid of spiders? Doesn't matter how bog or small, give your hero a fear they cannot overcome...yet.

So, pull out the chapter you are currently working on. Got it? Who is actively opposing your hero in this scene? Make the resistance bigger. Put an obstacle in the way. Tap into a fear. Now, how does the hero get around the obstacle? And no fair bringing in the sidekick to solve the problem. Heroes solve their own problems. Start writing. Don't stop until you have 250 new words.

Feeling pretty good about that, are you? Sgt. Wordslayer says, "Take the victory away from the hero. Quickly. Now." Burn another recipe card, get your mother-in-law back on the phone, tell the kids to clean their room. Make the world a more difficult place for your hero. Serve raw kale for dinner. And give me another 150 words.

Stand up straight. Salute your screen and repeat after me. Give. Your. Hero. Doubt. Say it one more time. Give your hero doubt. Nobody likes a know-it-all that never questions their own decisions. Nothing beats inner fear. Expose the hero's thoughts and feelings. How does your hero change their strategy or approach to overcoming the new resistance.

Give me five more jumping jacks. Got that blood boiling yet? Resistance is riction. When two objects come in contact, they grind each other down into a sweltering pile of rubble. Doesn't matter if the two objects are external or internal. It's the friction, the heat, that makes the story.

Is your blood boiling yet? If not, then the odds are your hero is still coasting. Kick the hero in the teeth. Make him tougher. Give her a reason to have a wicked tattoo. Everybody loves the champion's scars.

You there, hiding behind the coffee up. Step forward. Send in a comment with your hero's scars. Share a fear and tell us why it makes your character more believable.

Now pull out your favorite novel, and find the hero's fear. Find the resistance characters. Send us the name of the book, the hero's name, and the fear or resistance characters.

Dismissed!
========
C.L. Phillips writes mystery novels while nestled under a hundred-year live oak tree in downtown Austin. Except in August. C.L writes about the the gap between what people want and what they actually do. Broccoli or chocolate chip cookies, anyone? Check out her web site: http://www.clphillips.com/ or find her onTwitter: @clphillips787

Wednesday, October 13, 2010

Mysteries Revealed at Carina Press (Part 2 of 2)


By Linda Lovely

Angela James (pictured at left), the new Executive Editor of Carina Press, a subsidiary of Harlequin Enterprises Limited, says it’s no mystery why the new digital-first publishing house is interested in mysteries.

Carina is seeking first-rate manuscripts in a wide range of genres including mystery, thriller, science fiction, paranormal, family sagas, romance and erotica. Ms. James, who comes to Carina from Samhain Publishing, is an online press veteran.

The Sisters in Crime blog thanks her for her intriguing answers to questions about Carina’s policies and ambitions in this two-part blog entry. Here’s Part II:


How do you decide on an appropriate price for an ebook?


Price is generally determined by word count. I say generally because there are times when a book may fall in a higher word count but we choose to price it lower for reasons of marketing and sales.

There’s been a lot of conversation regarding fair ebook royalty percentages for authors. Your website states you do not pay advances but pay higher royalty percentages. Do you see publishing moving toward an industry standard ebook royalty percentage?

No, I don’t, though I don’t like to use “never” since that just tempts fate to prove me wrong. But print royalties aren’t standard; I don’t see digital royalties being different because that’s so individual to each publisher’s business plan/model.

According to your website, you don’t offer DRM—digital rights management. Does that mean people who download Carina ebooks can share them with others and/or read them on multiple devices?

Yes, absolutely. We believe that the book itself shouldn’t be an impediment to either buying or reading. We also recognize that people aren’t going to have only one device over the course of their lifetime, so they need to be able to move the book around. As for sharing—it’s an important part of reading culture. We’ve all shared books with friends and family at one time or another. We recognize that you may want to share a book with someone you know will love it—and we hope that encourages them to come back and buy more titles from either that author or from Carina Press. DRM-free is about making buying and reading so easy and pleasurable that the reader won’t have a reason not to come back for more!

What distribution channels do you plan to tap in addition to your own web bookstore?

You can find Carina Press books on third party etailers such as Amazon, Books on Board, Sony, Barnes & Noble, Kobo/Borders, All Romance Ebooks and more.

Though Carina is a digital-first publisher, your publishing contract includes print and audio rights. What factors would prompt you to publish a title as a paperback or create an audio version? What if a Carina author has a print opportunity elsewhere—would you release the rights?

Audible.com receives a list of our releases and they choose from that list which titles they believe will be the most successful, using their knowledge of their customers, buying habits and any holes in genres they might have. While we can encourage Audible to look at a particular title, they ultimately choose what goes to audio (which makes sense, when you think about it, since who better to know the audio market?). To date, they’ve chosen just under 50 of our 2010 titles.

We would not wish to see a competing title on the market, so we would be unable to release print rights, especially as we may wish to use them. When and if the time comes for us to put titles in print, all titles would be considered on a similar basis: audience, marketability, needs of the print channel, etc.

Do you plan to publish any mystery/thriller anthologies or short stories?

We haven’t compiled any anthologies to date (though we are doing a holiday collection, it’s not an anthology), so I can’t speak for plans of anthologies yet, but we would certainly be open to one. Digital is a wonderful place for shorter versions of genre fiction.



Award-winning author Linda Lovely writes romantic suspense novels featuring “smart, sexy heroines caught up in danger-packed situations that require them to partner with equally smart, sexy men.” Her novel, "Counterfeit," is a finalist in the Romantic Suspense category of the 2010 Golden Heart contest sponsored by the Romance Writers of America.