Monday, July 25, 2011

Tax Tips for Writers, Part 1 of 2 Parts

By J.J. Murphy

Dorothy Parker once said, “The two most beautiful words in the English language are ‘check enclosed.’” The witty Mrs. Parker also published a book called Death and Taxes. I’ll let you connect the dots.

Then again, you may find that connecting those dots isn’t so easy. Let’s face it—we’re writers, not accountants. To that end, I took the opportunity to ask for a few tax tips from Carol Topp, a certified public accountant and a writer. Carol is the author of an upcoming book, Business Tips and Taxes for Writers (Media Angels), which will provide nuts-and-bolts advice on topics such as income tax, sales tax, self-employment tax, tax deductions, financial planning, bookkeeping and — last but not least — mistakes that authors and publishers make. Here’s the Q&A with the C.P.A.

Q: What’s the best business (or tax) tip that, in your experience, most writers don’t seem to know?

A: Only one? Here’s one tip: Calling your writing a hobby — when you have been paid — can be detrimental to your pocketbook. In other words, you may be paying too much in income tax because, unlike a business, many expenses for hobbyists are not tax-deductible.

It's fairly easy to convert a hobby into a business. You simply have a profit motive and conduct your writing as a business — meaning you keep records, consult a professional when needed, and improve your knowledge in the area of writing, as a business owner would do.

Q: What’s the bottom line on the home office deduction? Is it an automatic red flag, or is there something in a tax filing that makes it become a red flag?

A: The I.R.S. does not reveal its algorithm for choosing tax returns to audit, but C.P.A.s know from experience that the home office deduction is frequently audited. So here’s a warning: excessive home office expenses without corresponding income can look very suspicious.

Q: You make a distinction between a writer who’s a “hobbyist” and one who’s a “professional” (in a business sense). Let’s say the self-publishing hobbyist makes a nice $500 in one year and the professional makes a very nice $50,000 in a year from writing. Are these amounts fundamentally taxed differently, or is each writer taxed comparably for their income?

A: The income is not taxed differently, but the expenses are treated differently for a hobby than for a business.

A business can deduct necessary and ordinary expenses and reduce taxable income. A hobby must report all its income, but may be unable to deduct the related expenses due to limitations in the tax code. Hobby expenses are deducted on Schedule A itemized deductions under miscellaneous deductions, subject to a 2% of adjusted gross income threshold. This threshold means that a taxpayer can deduct miscellaneous deductions that are greater than 2% of their adjusted gross income.

For example, Mary has income of writing of $250. Mary’s only expenses related to this income are paper, ink, and postage of $50. Mary’s expenses can be deducted on her itemized deductions under miscellaneous deductions, subject to 2% of her adjusted gross income. As is common with many taxpayers, Mary’s expenses of $50 were too small to overcome the 2% threshold to be deductible. She received no tax deduction for her writing expenses, yet pays tax on all the income.

Additionally, the I.R.S. does not allow hobby expenses to exceed hobby income. In other words, losses from a hobby are not permitted on a tax return. A business can have a loss and it can be deducted on a tax return, but not a hobby loss. If John, a hobby writer, had income from writing of $400 and attends a writers' conference that costs $900, he could deduct his expenses (as miscellaneous deductions) up to $400 (his hobby income), but no more. The extra expenses of $500 are considered personal expenses that John incurred for the love of writing.

To be continued...


J.J. Murphy is the author of the Algonquin Round Table Mysteries (Obsidian), featuring Dorothy Parker as the wisecracking sleuth. The second book in the series, You Might as Well Die, comes out in December, 2011. For more information, visit www.roundtablemysteries.com.


Friday, July 22, 2011

25th Birthday Bash at Bouchercon

Sisters in Crime celebrates its 25th birthday during Bouchercon with a breakfast party at the Roberts Mayfair, a Wyndham Hotel, on Friday, Sept. 16, 2011, at 7:30 a.m.

A full plated breakfast will be served. Guests are welcome.

The cost is $25 for SinC members and $45 for nonmembers.

The Roberts Mayfair is the located near the front door of the Renaissance St. Louis Grand Hotel.

The deadline for registrations sent by U.S. Postal Service mail is Sept. 9. The mailing address is: Sisters in Crime, P.O. Box 442124, Lawrence, KS 66044. Be sure to include an email address with your reservation to receive a receipt from SinC.

The online registration deadline is Sept. 12. Members can click here to register; nonmembers can click here to register.

The room location for the breakfast will be sent to attendees by email and will be posted on the Sisters in Crime website by Sept. 9.

Tuesday, July 19, 2011

You're Invited to Spoilerville

By Jan Burke


At last, a place where enthusiastic fans can talk about your books without spoiling the plots for those who haven't read them yet!

Spoilerville [http://spoilerville.com] is a place where your readers can comment on your books after they've read them. Here, they don't need to worry about asking questions on blogs, websites, mailing lists and other places where they might raise the ire of those who haven't yet read your latest.

And, yes, I started it because I needed a place like this, and figured others might, too.

It's easy to have your books included -- and it's free.

Just send the following to me at spoilerville[at]gmail.com (Please convert that into the usual address format -- I put it here in this form to discourage spammers):


1) Low resolution/web-sized images of your book covers (ideally, all in one email)

2) Your website's URL.

That's all there is to it! Once your books are up on the site, I'll send you links to your pages and you can encourage your readers to join in the fun.

If you have questions or need more details, contact me at the Spoilerville email address above.


Jan Burke is the award-winning author of the Irene Kelly thrillers. The newest book in the series is Disturbance. Jan is the original editor of Breaking & Entering, the Sisters in Crime guide to getting published, and the founder of the Crime Lab Project, a nonprofit organization created to increase awareness of the problems facing public forensic science agencies.

Friday, July 15, 2011

Selling Your Own E-books: Dana Stabenow Reports

Introduction by Dana Stabenow:

Scott Gere has been my webmaster from my first website. Along the way, we’ve talked a lot about the publishing business, as I watched and mourned my backlist going slowly and inexorably out of print.

Inevitably, e-books showed up in our brainstorming sessions - and last year he said, “Let’s just do it.”

We had no idea if we would make any money. I was petrified that his company would be out-of-pocket on expenses and not only would my e-books go away, but he’d fire me as his website client, too.

Everything of course took a lot longer than we thought it would, but Fire and Ice, my first Liam Campbell novel, went up last year three days before Christmas. Since then, we’ve been averaging about a book a month. When we’re a little farther into this process, I’ll be blogging about it with real numbers, but for now let me just say that the results have exceeded everyone’s expectations, and that no one is out-of-pocket.

Gere Donovan Press (GDP) is scanning, formatting and proofing the books, giving them terrific covers and minding the store (specifically putting the books up on iTunes, Amazon and Barnes & Noble and collecting and dispersing the income). Now they've come up with a nifty way for me to sell books through my website, which is currently active on stabenow.com (http://www.stabenow.com/e-books).

Scott wrote about our project on the GDP website, and SinC reblogs his post here for you today:

[From press.geredonovan.com]:

You may have recently encountered a wee web application that we’ve been working on. Indeed, the odds are good that its footer provided the link that brought you here.

Who is Bridgit, you ask, and what does she have to do with your eBook purchase?

Bridgit is a lightweight eBookstore cart solution, currently under development by Gere Donovan Press. Named in part for St. Brigid of Kildare, patron saint of printing presses (who was herself named for the Celtic goddess of Wisdom), Bridgit will enable small publishing houses, self-published authors and others to easily accept credit card payments in exchange for time-limited, DRM-free eBook downloads. It allows you to cut out the middle man, and bridges the gap (ouch). [Note: DRM, or digital rights management, is referred to by some as digital restrictions management.]

Bridgit assumes that the parent site provides all of the product information. Place an add-to-cart button on the book’s page, targeting your Bridgit instance, and we handle the rest. Bridgit processes the financial details of the transaction, generates download links that are unique to the customer and emails them a receipt. Books are provided in both .mobi and .ePub formats, via links which are valid for 24 hours.

In that no DRM has proven to be proof against piracy, while virtually all DRM has been shown to annoy honest people who just want to move their files from one device to another, Bridgit’s downloads are DRM-free. As devices and file types evolve, Bridgit may expand her horizons a bit… we’ll see what the market wants.

To experience Bridgit for yourself, [take a look at] one of the fine GDP eBooks from Stabenow.com. If you’re interested in discussing how Bridgit could be used to handle your own eBook transactions, or want to tell us what you think Bridgit should do, please drop us a line at press@geredonovan.com.


Dana Stabenow is the award-winning author of the 18-book Kate Shugak mystery series, the four-book Liam Campbell mystery series and the three-book Star Svensdotter science fiction series. The most recent title in the Kate Shugak series is Though Not Dead, a mystery set in contemporary Alaska that includes more than a passing mention of Dashiell Hammett's Army days in the Aleutian Islands during World War II.


Wednesday, July 13, 2011

Have You Given Up on New York?

by Nancy Martin

Getting published the old-fashioned way is hard. (A writing friend of mine used to counsel new writers by asking, "If you know it's going to take five or ten years to get published, would you keep trying?" She was right. It does take most writers between five and ten very difficult years to succeed.) Nowadays, many frustrated writers have given up pursuing the traditional route to publication and are turning to small presses.

Not all small presses are created equal, however. When making your choice, here are some questions to consider:

1. The money. Does the press pay an advance? Usually, an advance is the publisher's vote of confidence in a writer's ability to sell books. Does the press pay a royalty rate about the same as other publishers? If not, the press is passing along its risk to the writers. Ask yourself why.

2. Money that flows the wrong way. Does the press ask for money from the author? This is a sure sign the company isn't on firm legs yet. If you're asked to contribute a "marketing fee" or a "buy-in" or to pay "editing costs," think twice. Asking the author to buy a substantial number of her own books is another way of disguising the same issue. Do you want to spend your time selling books out of the trunk of your car?

3. Not all marketing is worthwhile. Most presses crow about doing plenty of "marketing." But what does that mean, exactly? Do they have a good website, prepare catalogs, and send emails to a mailing list of a few hundred industry people? That's nice, but it's the kind of effort that doesn't cost a lot of time or money . . . and doesn't result in significant sales. Do they send ARCs to all the important review outlets? (The SinC Summit team heard over and over that librarians and bookstores are flooded with promotional materials, so when ordering stock they tend to pay close attention to a few trusted publications: PW, Booklist, Library Journal and Kirkus.) If the press doesn't print ARCs, do they participate in NetGalley? Do they pay personal calls on distributors and bookstores to create relationships? If it's an e-book company, do they perform more marketing tasks besides posting on Facebook? Do they participate in online forums? Make your books available in formats that work for all devices? Do they do more than simply put your books up for sale and stand back to wait for the money to roll in?

4. Distribution requires trucks. If the books are printed on paper, does the press regularly place stock in distributor warehouses like those of Ingram and Baker & Taylor? Just making books available to distributors via a catalog isn't the same as actually stocking.

5. The details of distribution: Does the press offer books to distributors and booksellers at the standard industry discounts? Are the books returnable? Are the books priced about the same as other books of their type? If not, the press may be passing along its cash flow problems to booksellers.

6. Everybody needs an editor. Yes, even you. Does the press employ editors who edit your book for content as well as copy editing? Or must you hire a freelancer?

7. Contingency plans. If the company is owned and operated by one or two people, what is the secession plan? (In other words, what happens if the owner becomes incapacitated?)

Maybe you just want to see your words in print and none of these issues matter to you. But if you hope to make your living at writing some day, these are some things to consider. Can you think of more red flags? What other information might help a Sister in Crime make a wise choice?

Nancy Martin has been writing and publishing books since 1982. She has written nearly 50 pop fiction novels, including the Blackbird Sisters mystery series and the Roxy Abruzzo series. Her most recently released title is Sticky Fingers. Nancy serves on the board of Sisters in Crime and edits SinC Links.

Thursday, July 7, 2011

Death Investigation: It's Not Exactly What You See on TV, Part 2

By Michelle Clark

[Originally published in First Draft, the Guppies newsletter.]

I teach a forensic science class at the University of Hartford and I instruct my students not to take what they see on television as reality. There are many aspects of analyzing death scenes that CSI doesn’t really cover, although it does try.

The first is what I like to call "smellivision." The smell of decomposed bodies is difficult to describe, but distinct. Once you smell it, you’ll never forget it. The best way I can explain it to my students is to ask if they have ever smelled a dead animal and suggest that they amplify that odor by about 130-fold, since most adult humans weigh at least 130 pounds or more.

My kids have smelled it, but don’t realize what the smell is. There are days where I have been to a bad decomp scene and when I get home they both squeeze their noses with their fingers and say “Ew, Mom, you smell like work.”

I can’t tell you how many weird looks I’ve gotten at sandwich shops after I leave a decomp scene and try to get something for lunch (yes, I can eat afterwards). The smell gets into everything - hair, clothes, etc. I keep several bottles of Febreeze in the trunk of my car.

Another misconception I try to clear up for my students is that I don’t show up at death scenes in fishnet stockings and high heels, packing heat. My wardrobe consists of jeans, work boots and either a long- or short-sleeved shirt. And, no, I don’t carry a weapon. That’s what the cops are for.

I have had to wade into small lakes and streams, dragging bodies to the shore with firemen - and trudged through water- and ash-drenched burned homes with fire inspectors to look at unidentifiable victims after fatal fires. I walked along railroad tracks picking up pieces, literally, of a man versus train accident. I’m sure you can guess who won. I scraped brain matter off of the highway from a motorcycle accident while my stomach growled because I'd missed breakfast. I climbed trees to help cut down hanging suicide victims and trampled into heavily wooded areas to look at a suicide victim with a gun shot wound to the head. In other words, my job can get very dirty and, at times, is physically demanding.

One thing that they never taught us in grad school was about the emotions of the people at the scenes. Death is obviously very traumatic for survivors, especially when it wasn’t anticipated. I go into people's homes after a loved one has hung or shot themselves. I try to be inconspicuous as I slip into a house filled with bereaved people, locate the officers and do my job as quietly and neatly as possible - but not always with success. Bodies tend to ooze when rolled over.

No one can prepare you for the bereaved father of a young victim or the grieving teenagers whose father hung himself, asking you why. They’ve never met me, but they look to me for answers. I do my best to console them and tell them it’s not their fault, but I’m sure they are so grief-stricken that they wouldn’t remember me the next day.

I’ve talked to family members whose eyes are glazed over in despair and indicated to the friend standing next to them to please repeat the information that I had provided at a later time.

Do I shut it all off? Sure. Am I a robot? No. Do I take my work home with me? No, and my family is my key to forgetting my bad day at work. Will I ever reach my limit? Maybe, but for now I take each day as a new experience and learn from it.

So how did I get to the Guppies chapter of Sisters in Crime? One of the ways I cope with my day is to write. I started more than a year ago, writing my experiences down, and ended up writing a 487-page manuscript. I have one mystery/paranormal/romance that is almost done and am working on a mystery/crime and a third project, a mystery/thriller.

How do I come up with these story lines? Let’s just say I have pretty vivid and scary dreams - all stemming from reality.

I wanted to learn more about the literary field - and what better place than here in SinC and swimming with the Guppies. I’m learning a lot, from the listserv and from the critique group that I am honored to be a part of through the Guppies (shout out to the M&M Writers critique group).

I hope I have given you a little introduction into my workday and what death investigators do, at least here in Connecticut. One of my students this semester asked me if I thought I could pull off the perfect crime. Smiling, I told him that there’s no such thing as the perfect crime. He'll just have to read about that when my books gets published.


Michelle Clark graduated from the University of Hartford in Connecticut with a B.S. in Medical Technology and earned a master’s degree in Forensic Science from the University of New Haven. She currently works as a Death Investigator for the Office of the Chief Medical Examiner in Connecticut. She is board-certified as a Medical Technologist and board-certified as a Molecular Biologist.

While her kids are a great distraction from her job, she finds that writing helps her escape. She tried her hand in the paranormal/romance/mystery genre and finished a 487-page manuscript called Haunted, which still needs to be cleaned up. She is at work on two more WIPs: Jurisdiction of Bodies, about a death investigator who finds herself in the midst of catching a killer in Connecticut, and Note to Self, a mystery/thriller about a CSI who’s getting calls on her answering machine in her own voice, telling her to kill herself.

Wednesday, July 6, 2011

Death Investigation: It's Not Exactly What You See on TV, Part 1 of 2 Parts

By Michelle Clark

[Originally published in First Draft, the Guppies newsletter.]

When I tell the other parents on the soccer field what I do for a living, they have several responses: “Wow, that must be really interesting,” or “That’s the coolest job ever” or the dreaded “What’s the grossest thing you’ve seen?”

In reply, I try to explain that what is gross to them isn’t exactly gross to me, avoiding the question especially if the kids are in earshot. There are reasons why the bodies at horrific car accidents are covered up with sheets. Do you really want to see? I can tell you I see it every day. But, don’t get me wrong, I love my job.

I realize I’m very lucky to have the job that I do. Since CSI, forensic science has been introduced to mainstream America - and the field has become flooded. I was very fortunate to not only get a job in the forensics field, but also to stay in Connecticut where my husband and two kids have become rooted.

My luck started when I was still in graduate school for forensic science and working as a molecular technician in a pathology laboratory in Hartford. At that time, I was hired as one of the first civilian crime scene technicians for the Waterbury Police Department. The 24/7 on-call schedule took a toll on my family so, with a sad heart, I left. I will admit, though, that I was happy afterward not to be called out every night to a crime scene.

Fortune fell on me again and a position for a death investigator at the medical examiner’s office opened up.

So what does a death investigator do? It varies from state to state, so I will let you know what I do in Connecticut - which is, by the way, a beautiful setting for any mystery novel.

I am one of 14 death investigators in Connecticut. Our main office, where all the autopsies take place, houses the toxicology lab - and my cubicle - in a three-story building in Farmington. The 14 of us are spread out into jurisdictions each day, to areas where we respond to any fatalities. These fatalities include all suicides, homicides, fatal accidents and fatal overdoses, etc. We respond to the scene, get as much information as we can regarding the circumstances from the police officers or family members, take photographs of the scene and examine the body to be sure that the information that we received matches the wounds we observe on the body.

Police personnel in Connecticut have become accustomed to waiting for me to arrive before touching the body so that we can go over the body slowly and meticulously together. The body is my jurisdiction. I help the police preserve as much evidence on the body as possible. If they want to take evidence off the body to keep from losing it in transit, I make notes of what they take and assist if necessary. I take all the information back to the office where I upload my pictures and write a brief report about the scene so that the medical examiner assigned to the case (we have four M.E.s) has a good idea of what’s going on before the autopsy.

And, no, I don’t remove the body from the scene. We have forensic techs to do that - or a trade service if the techs are busy.

Most of the autopsies are done the next day, unless there is a large number of cases or a backlog from the weekend. Mondays are usually crazy busy. There can be anywhere from one to 20 cases on the board requiring an autopsy. We have three autopsy tables and can do three autopsies at once. If it’s busy, the M.E.s will do a maximum of four cases, each, in one day.

We have a minimum of three forensic techs who assist the M.E.s with their cases (I call them the slicer-and-dicers) and a forensic photographer to document the autopsy. Every body that comes in for an autopsy gets a toxicology screen, regardless of the circumstances of the case.

I usually don’t observe the autopsy in my cases, unless it was something that I haven’t seen and am curious about. Unfortunately, there isn’t much that I haven’t seen.

When I’m not at scenes, I view bodies that are waiting to be cremated. In Connecticut, there is a law that all bodies being cremated have a 48-hour hold placed on them until they can be viewed by a death investigator. I drive from funeral home to funeral home, viewing bodies before they are cremated - so to say I see dead people all day is an understatement.

I am looking for anything suspicious, not just the obvious stab wounds or bullet holes, but bruising, signs of falls or anything traumatic. I can see anywhere from five to 25 bodies in one day for cremations - and that doesn’t include my getting called to a fatal scene. In January, I observed 114 bodies for cremation and went to eight scenes.

To be continued tomorrow...


Top photo by Ken Clark: Michelle Clark wearing an official Office of the Chief Medical Examiner shirt.

Bottom photo by Michelle Clark: The autopsy room at the Office of the Chief Medical Examiner in Connecticut.


Michelle Clark graduated from the University of Hartford in Connecticut with a B.S. in Medical Technology and earned a master’s degree in Forensic Science from the University of New Haven. She currently works as a Death Investigator for the Office of the Chief Medical Examiner in Connecticut. She is board-certified as a Medical Technologist and board-certified as a Molecular Biologist.

While her kids are a great distraction from her job, she finds that writing helps her escape. She tried her hand in the paranormal/romance/mystery genre and finished a 487-page manuscript called Haunted, which still needs to be cleaned up. She is at work on two more WIPs: Jurisdiction of Bodies, about a death investigator who finds herself in the midst of catching a killer in Connecticut, and Note to Self, a mystery/thriller about a CSI who’s getting calls on her answering machine in her own voice, telling her to kill herself.

Tuesday, July 5, 2011

Launching our Internet Chapter!

By Nan Harrington

I’m so pleased to announce that, at long last, the Internet chapter of Sisters in Crime is back!

We’ve “hung out our banner and opened our doors,” so to speak. Now we’re hoping that you’ll come in for a visit - and join us! The chapter can be found online at www.sinc-ic.org.

And, in case you’re wondering just what an Internet chapter is - and why you’d want to join, here are a few answers:

An Internet chapter is much like your local chapter, except that it exists in cyberspace and provides a common meeting place for those who live where there are no local chapters, for those who are unable to attend local chapter meetings for any reason - or simply for those who want or need a “SinC supplement” in between their monthly chapter get-togethers.

The great thing about the Internet chapter is that it is accessible at any time and from any location - from your home late at night, from your office during a break or from anywhere you travel. We’re here for you 24/7.

We provide information, links to resources, blogs, monthly writing tips and prompts, support and cyber-camaraderie.

Our “members only” site will be launched next week and will include a critique group opportunity and interviews. (We’d love to find new interviewees, by the way! Don’t hesitate to sign up!)

Any questions? Contact Nan Harrington at nan.harrington[at]gmail.com.

Come on in! We’re open for business!



Nan Harrington, President of the Internet Chapter of Sisters in Crime, is a 5th generation Texan, a retired university professor, a wanna-be crime writer (her new passion!), and an inveterate traveler. She lives in Dallas and Cuernavaca, Mexico.

Friday, July 1, 2011

California Crime Writers: A Writing Craft Report

By Jackie Houchin

[Originally published at jackiehouchin.com]


Although I don't actually write crime fiction (I read and review it), I took the Writing Craft workshops at the California Crime Writers Conference, all taught by an impressive lineup of top-notch writers.

"Grammar for Dummies, Part I," presented by author/copy editor June Casagrande, was a fact-filled session that tested our knowledge (in a 66-example quiz), surprised us by revealing many common errors and challenged us to use the best reference manuals (Chicago Manual of Style, Merriam Webster's Collegiate Dictionary, and Garner's Modern American Usage).

In "Part II," June explained basic sentence structures (simple, compound, complex), showed many examples of each and powered through 16 specific tips for improving our sentences.

"Cut back on commas!" she said. "I'd rather be in a room with a roaring drunk than see too many commas and semicolons."

Oh, that our elementary school teachers were so informative and fun!

"Crime writers are not expected to be perfect in grammar," she said, "but they do need to come off as professionals." Her workshops and "keeper" handouts will help both newbie and seasoned writers to do just that.

"What's the purpose of dialogue?" asked author Gary Phillips in his "How to Talk" workshop. He picked up a marker, held it poised over a pad clipped to a tripod and looked at his audience.

"To create characters," said one attendee, breaking the ice for further suggestions.

"To move the story along."

"To convey information."

As others spoke, Phillips distributed a handout with snippets of dialogue by several well-known authors.

"Who will volunteer to read the first page?" he asked.

Attendees read aloud paragraphs by Robert B. Parker, Laura Lippman and SJ Rozan, then discussed style, technique and ratio of dialogue to narration.

"There are two purposes for dialogue," Phillips stated,"... to service the plot (summing up information to speed the plot forward) and to reveal characters (the emotional stuff)."

He challenged us to write a scene "about two characters who were high school friends, an ex-prisoner and a college grad, meeting up again for some reason."

Some really good results were then read aloud and critiqued.

In a bit of humorous advice, SJ Rozan told attendees of her "How to Avoid the Sagging Middle" workshop to: "Write 40,000 words of beginning, then start writing the ending."

After the laughter subsided, she taught specifics on how to deal with that most important part of a story.

"What you do depends on the type of problem you have. Are you completely lost? Or have you 'hit a wall' with no place for your characters to go?

"If you are completely lost, you can ... kill someone or discuss your problem with your editor. Write a 'reverse outline' from where you are stuck back to the beginning to see what's missing. Or remember why you wanted to write this book (the theme).

"If you are up against a wall with your characters, you can - on Raymond Chandler's advice - 'Have a guy come in with a gun.' In other words, think outside the box, conjure up five of the most bizarre things that could happen that are not part of the plot (a UFO lands ... a dog runs through with something weird in its mouth ...).

"Trust your subconscious. Offer it some ideas to work out. Remember what your character knows (not you as writer) and think what she would logically do next."

And finally, "If you give up in the middle, you'll never get another one done."

Juliet Blackwell had us take a cold hard look at our commitment to writing in her "Get Over It" motivation workshop by asking, "How badly do you want to write? What is your true writing goal? To be published... make money... get famous? How important is that goal to you - and what are you willing to give up to get there?"

She showed us practical ways to stop sabotaging ourselves and encouraged us by saying, "Young adults are reading a lot right now. They'll be adults soon and they'll want to read your books."

Jan Burke's "Bad Guys and Side Kicks" was another session packed with helpful advice.

"Start with the villain," was her opening comment.

"Why? Well, consider what a mystery is – a whodunnit – a who done it?"

He's the source of tension and conflict. Figure out what he wants and why, and get him into the story quickly.

"Readers learn a lot about the protagonist from the villain."

The victim is also important - and not just a "dead body." Make sure you show the reason why the villain chose this victim. Consider the seven deadly sins. The kind of villain - and his means of killing - depends on the genre. Is it a cozy, a thriller, a classic detective? What drives the villain (revenge, notoriety, fear of discovery, unusual appetite)?

Run out of ways the killer can threaten? Ask what scares you. Brainstorm 50 scary things that don't necessarily cause death (a flushing toilet in the middle of the night).

Other characters need to be tied to the victim, too. Sidekicks can't solve the crime, but they can inform the sleuth, inform the reader, accidentally mislead, have a sense of humor and provide a person the sleuth can discuss the case with.

Burke's best writing advice was to "find three books you love and three books you hate. Study them to see how/why the bad ones failed and the subtle ways the good ones succeeded."

In a "Keynote Dialogue" with Denise Hamilton (Okay, I deviated from the craft tract one time because I was a little afraid of Dorothy Howell's "Love and Sex" workshop), SJ Rozan talked about writing rituals (she needs her mug of Queen Anne tea first), word count (she likes 750-1,000 words per day), brainstorming and spare writing.

"Words are powerful. You don't need that many of them," she said.

Rozan also candidly confessed, "Someday I want to write a James Michener epic with multiple POVs, maybe not even a crime novel."

The wildly entertaining Kerry Madden, in "Understanding the Story Arc," advised us to "get the memories down" and "write through the fear."

She also said, "Don't worry about plot, just write the story and the plot will take care of itself."

This made sense when I remembered SJ Rosen's description of plot. It's the "car" that takes your story to the end - how it all happens. Story is the "journey" of your characters - what the book is about. If the plot isn't working, get a new "car."

Too soon, the conference and the weekend were over. Other writers took the Business, Matters of Crime, and Nuts & Bolts tracks and went home just as determined to put what they'd learned into their writing. Many also left with promises from agents to read their work. All were encouraged by the talented authors who freely shared their knowledge.

"Writing should be a pleasure," said T. Jefferson Parker. "Read something wonderful, something that makes you happy and edifies you. Then go write."






Jackie Houchin is a freelance writer, book reviewer, and theatre critic. She’s a member of Sisters in Crime, Mystery Writers of America and California Writers Club.

Monday, June 27, 2011

A Report from SinC's 2011 Publishing Summit

By Barbara Fister

We’ve had some very busy days at the American Library Association convention in New Orleans, and they're not over yet. Your SinC Publishing Summit team has been meeting non-stop with people who can help us understand better how readers discover the books they love.

After a series of annual summit reports that gathered insights from publishers, editors, agents, distributors, wholesalers and emerging digital publishing platforms, we thought it was time to focus on the readers, because when you get right down to it, they are the people who matter.

We’ve held focus groups with adult services librarians, librarians who plan events and specialists in young adult literature. We talked to the founder of the first social network for bibliophiles. We met with “rock star librarians” who are renowned for their expertise in "reader’s advisory,"– the art of connecting readers with books that they will love.

We learned that it’s critical to coax out what readers like to read – and why. Subgenres don’t matter as much to readers as the underlying factors that make an appealing book: tone and mood, characters you know well or those who might surprise you, fast-paced stories or language that makes you want to slow down and savor the words.

More books are published every year, and that makes it challenging for writers to connect with their audience. We hope that our report will illuminate ways that readers discover books and will help our member authors connect to their audience.

But, first, you’ll have to give us a chance to let our heads stop spinning!


Photos of New Orleans by Barbara Fister.

Barbara Fister
is the author of the Anni Koskinen mysteries. The most recent title in the series is
Through the Cracks. She is an academic librarian and serves on the SinC board as Secretary.

Friday, June 24, 2011

SinC at ALA: Meet Our Authors & Librarians

If you’re attending the American Library Association’s (ALA) annual conference in New Orleans this weekend, be sure to stop by booth #3259 in the Exhibit Hall to meet Sisters in Crime authors and librarians – and sign up to win an 8 GB iPod Touch.

Here’s the schedule for the Sisters in Crime booth at ALA:

Friday, June 24
Opening Reception, 5:30 – 7:30 p.m.

Frances Dean McNamara
Jerri Lynn Ledford
Terri Landry

Saturday, June 25
(Mystery Day on the ALA ‘Pop Top’ Stage)

June Shaw, 10 a.m. – noon
Jane Cleland, Noon – 1 p.m.
Libby Hellmann, 12:15 – 1:15 p.m.
Holli Castillo, 1 – 3 p.m.
Elaine Viets, 1:15 – 2:15 p.m.
Greg Herren, 2 – 5 p.m.
Barbara Leavy, 2:30 – 4:30 p.m.
Julie Smith, 3 – 4 p.m.

Sunday, June 26

Librarian Sue Epstein, 10 – 11 a.m.
Barbara Leavy, 11 a.m. – 1 p.m.
Frankie Bailey, 2:30 – 3:30 p.m.
Barbara Fister, 3:30 – 4:30 p.m.
Tony Fennelly, 3:30 – 5:00 p.m.

Monday, June 27

Terri Landry, 9:30 – 11:00 a.m.
Librarian Barbara Bibel, 12:30 – 2:00 p.m.

During the ALA conference, Sisters in Crime representatives will be meeting with ALA exhibitors and other publishing industry professionals, the first step in the preparation of Sisters in Crime’s annual Summit Report on the publishing industry. The 2011 Publishing Summit Report will be distributed to Sisters in Crime members later this summer.

Enjoy ALA – and SinC Into a Great Mystery!

Tuesday, June 21, 2011

San Bruno Public Library, Newport HS Library Win SinC Library Grants

The San Bruno Public Library and the Newport High School Library are the most recent winners of the Sisters in Crime We Love Libraries! book-buying grant. Each library will receive a check for $1,000 for the purchase of books for its lending collection.

The San Bruno Public Library, in San Bruno, California, is part of the Peninsula Library System, which includes eight public library branches and the San Mateo Community College libraries.

The Newport High School Library in Newport, Washington (pictured at right), is part of the Newport School District, which includes Stratton Elementary, Sadie Halstead Middle School and New Port High School.

To date, the SinC "We Love Libraries!" project has provided $1,000 book-buying grants to 18 libraries in the U.S. The library lottery program began in January 2010 and will continue throughout 2011.

Libraries may participate in the We Love Libraries! lottery by completing the online entry form at www.sistersincrime.org and uploading a photo of one or more staff members with three books in the library's collection written by Sisters in Crime members. A list of SinC author members can be found by clicking here.

At the end of each month, a library winner will be selected in a random drawing from the entries submitted online. Libraries must be located within the United States to be eligible for the funding.

Only one entry per library is required. Once an entry is on file with Sisters in Crime, it will remain active in the lottery selection process for the duration of the program.

Friday, June 17, 2011

Wives Behind the Badge: National Day of Prayer for Law Enforcement Officers

Today – June 17, 2011 – is the first observance of a national day of prayer for law enforcement officers. From 9 a.m. until noon, people around the globe will be taking a moment to pause and hold these brave women and men in their thoughts and prayers in gratitude for the difficult work they do for their communities.

The day of prayer was initiated by Facebook supporters of Wives Behind the Badge, an all-volunteer nonprofit organization “dedicated to providing resources and emotional support to law enforcement families and serving as a positive voice for law enforcement in the community.”

As all of us know all too well, danger is ever-present in the lives of law enforcement professionals. And, if you saw this week’s season opener of “Memphis Beat,” you had a bit of an inside look at the multi-generational effects of line-of-duty death in police families.

According to statistics from the National Law Enforcement Officers Memorial Fund, there have been 88 law enforcement officer fatalities this year to date, a 22 percent increase from last year. Of those fatalities, 38 were from gunfire, a 46 percent increase from last year.

“The statistics have a great deal of us worried about the state of things in this country,” Chelsea Spencer, President of Wives Behind the Badge, said.

“Line-of-duty deaths are, sadly, on the increase this year. A lot of them are violent deaths,” she said.

“The National Day of Prayer will hopefully bring some focus to this and get people committed to supporting their law enforcement officers.”

Spencer said the day of prayer was initiated in April with the thought of “let’s try and see what works.” This week, more than 26,000 people were supporting the project.

“We’re gaining 1500 people a day. It’s snowballed,” she said.

Wives Behind the Badge was founded in 2006 by Rose Winick, the wife of a police sergeant in southern California. The organization began as an online support forum designed to help police wives share advice and support. Today, Wives Behind the Badge has become a force dedicated to helping police families nationwide with resources and emotional support through programs such as Families Behind the Badge, scholarships, Kids for K-9s and H.A.L.O.S. (Helping Aid Lost Officers’ Survivors).

For more information about Wives Behind the Badge, go to wivesbehindthebadge.org.

Thursday, June 16, 2011

The 'Don Knotts Golden Donut Short Story Contest' Seeks Entries

This week, the Writers' Police Academy (WPA) announced that the Don Knotts Golden Donut Short Story Contest is open for entries.

The contest is seeking short stories of exactly 200 words (including the title) about the photograph published here and on the WPA website. The photo was taken by Sunday Kaminski, a Maryland-based photographer whose work has appeared in shows, exhibits and publications including Alfred Hitchcock Mystery Magazine.

The entry guidelines:
-Use exactly 200 words, including the title.
-The image in the photograph must be the main subject of the story.
-The story must be polished and complete (with a beginning, middle and a twist of an ending).
-All stories must be submitted electronically.
-The submission deadline is midnight, August 19, 2011.
-A $20 entry fee must accompany each entry. The proceeds go to the Writers' Police Academy fund to benefit the Guilford Technical Community College criminal justice foundation.

For detailed submission guidelines, go to the WPA website and click on Short Story Contest in the blue menu ribbon at the top of the screen.

The contest winner will receive the Don Knotts Golden Donut Award sponsored by the High Point (North Carolina) Public Library and Krispy Kreme. The award will be presented at the Writers' Police Academy banquet on Saturday, Sept. 24.

The contest is open to everyone. Registration and attendance at the Writers' Police Academy is not required to participate.


**Photograph by Sunday Kaminski. The image may not be copied, reproduced or used in any manner without the express written permission of Sunday Kaminski.

Wednesday, June 15, 2011

SinC Extends Member Discount for Writers' Police Academy

Sisters in Crime is extending the member discount for SinC members attending the Writers' Police Academy taking place Sept. 23 to 25, 2011, near Greensboro, North Carolina.

The offer, originally scheduled to end on June 16, was extended due to its popularity. SinC members are now eligible for the deeply-discounted registration fee of $100 throughout the entire registration period of the conference. SinC national will pay the balance of the $255 registration.

If you’re not a Sisters in Crime member, you can sign up for a SinC membership to receive the discount. The annual membership fee for a SinC professional membership is $40. For more information on membership, go to www.sistersincrime.org.

The Writers' Police Academy provides a hands-on interactive experience designed to help writers increase their understanding of all aspects of law enforcement and forensics.

The three-day training program offers access to active-duty police instructors, an on-site working fire station and working police, fire and EMS equipment.

Sisters in Crime will sponsor a mix-and-mingle reception on Friday, Sept. 24, from 7 to 9 p.m. The get-together will be followed by a “night owl” presentation by Lee Lofland, author of Police Procedure and Investigation, a bestseller in the Writers Digest “Howdunit” series.

To register, or for more detailed information on the Writers' Police Academy, go to writerspoliceacademy.com.

Tuesday, June 14, 2011

Watching the Detective: Bob Hamer

By Jill Amadio

It’s rare to find an author who is actually the authentic fictional sleuth himself.

Bob Hamer is one of those writers. He has lived the harrowing life of his protagonist, Matt Hogan, and experienced the riveting plots of his novels – right down to shooting the bad guys and being shot himself.

As an FBI undercover agent for almost three decades, Hamer played the roles – sometimes for as long as three years – of a contract killer, terrorist, drugs and weapons dealer, gambler and pedophile. He became an expert on Western art, was hired as a stuntman, joined Los Angeles and San Diego street gangs and became a trusted member of the Mafia and Russian mobs.

A charismatic speaker, Hamer talked to members of the Orange County chapter of Sisters in Crime at their June meeting. With little need for research, since his own experiences supply his material, he said that he simply sits down at the computer and pounds out his stories using just two fingers and the memories of the cases he has worked. A former U.S. Marine and lawyer, he’s just signed a movie contract to bring his latest thriller, Targets Down, to the big screen.

Hamer knows his way around Hollywood, too, as a screenwriter, tech adviser and consultant for “Law and Order: SVU,” “The Inside,” “Angela’s Eyes” and other television shows. He’s also written 18 short stories.

His initial writing effort, The Last Undercover, also under option for a television series, was a 2008 nonfiction account of a “dangerous dance with evil,” as the book cover proclaims, a gripping account of his most shocking and difficult case. The book won several awards and testimonials.

Turning next to fiction, Hamer introduced Matt Hogan in his debut novel, Enemies Among Us. The author gives Hogan the ability to find a sliver of goodness in even the most violent of criminals, just as Hamer himself had to do to stay alive in the most dangerous of situations.

While undercover, Hamer began a journal to keep a record of his life for his son. After his retirement from the FBI, the journals became the basis for the thriller series, albeit with an almost renegade approach to writing. He knows that coincidences, for example, are best avoided in fiction – yet his own life with criminals was full of them, so he writes them in.

His writing habits include slamming through a raw, rough first draft as quickly as possible. Once it’s written, he relaxes and has great fun with the rewrites, aiming for 1,000 words a day, constantly checking the word count, then stopping as soon as he reaches his goal. He says he’s still learning what “platform” means, how to use social media and trying to get his talk show interviewers to stop talking so he can give them his answers.


Jill Amadio is an award-winning journalist, author, collaborator, ghostwriter and screenwriter. She is the author of the bestselling biography, Gunther Rall: Luftwaffe Fighter Ace and NATO General, now available for Kindle, and has co-authored several books and ghostwritten a crime novel. Currently, she is at work on a new mystery series. For more information, see jillamadio.com.

Wednesday, June 8, 2011

'Creative Nonfiction' Seeks True Crime Stories

Creative Nonfiction magazine is seeking new essays about true crime – detailed reports of premeditation, follow-through and aftermath – whether taken from police blotters or the news, passed down as small-town legend or family lore, or committed in cold blood.

For the Spring 2012 issue (#45), the magazine's editors are looking for “true stories of petty theft, identity theft, embezzlement or first-degree murder; of jaywalking, selling (or maybe buying) weed or assault; of crimes and punishments and unsolved mysteries. Think The Devil in the White City (Larson), In Cold Blood (Capote) and Iphegenia in Forest Hills (Malcolm); or Half a Life (Strauss), Lucky (Sebold) and The Night of the Gun (Carr). If it’s against the law and someone – maybe even you – did it anyway, we want to know all about it.”

CNF is in search of “well-written prose, rich with detail and a distinctive voice.” Essays can be serious, humorous or somewhere in between. The Best Essay will receive a $1,000 award.


The submission guidelines:
Essays must be unpublished.
Length: 4,000 words maximum.
Postmarked by Sept. 30, 2011.
Clearly mark “True Crime” on the essay and on the outside of the envelope.

There is a $20 reading fee for each submission. For $25, submitters in the United States can pay the reading fee for a single submission and receive a four-issue subscription to Creative Nonfiction magazine.

Submissions from outside the U.S. are welcome, but not eligible for the reading fee/subscription discount due to shipping costs.

Send your manuscript, a cover letter with complete contact information including the title of the essay, word count, self-addressed stamped envelope and payment to:

Creative Nonfiction
Attention: True Crime
5501 Walnut Street, Suite 202
Pittsburgh, PA 15232

For more information, go to www.creativenonfiction.org.

Tuesday, June 7, 2011

Amazon.com Names America’s Most Well-Read Cities

Cambridge, Massachusetts, home to Harvard University and the Massachusetts Institute of Technology, topped Amazon.com’s recent listing of the Top 20 Most Well-Read Cities in America.

Cambridge residents ordered the most in book, magazine and newspaper sales, in print and Kindle formats, since Jan. 1, 2011 on a per capita basis for cities with more than 100,000 residents. Cambridge residents also ordered the highest number of nonfiction books.

The Amazon.com top 20 list:

1. Cambridge, Massachusetts
2. Alexandria, Virginia
3. Berkeley, California
4. Ann Arbor, Michigan
5. Boulder, Colorado
6. Miami, Florida
7. Salt Lake City, Utah
8. Gainesville, Florida
9. Seattle, Washington
10. Arlington, Virginia
11. Knoxville, Tennessee
12. Orlando, Florida
13. Pittsburgh, Pennsylvania
14. Washington, D.C.
15. Bellevue, Washington
16. Columbia, South Carolina
17. St. Louis, Missouri
18. Cincinnati, Ohio
19. Portland, Oregon
20. Atlanta, Georgia

Echoing results from Sisters in Crime’s recent Mystery Book Buyer Study, nearly half of the cities on the Amazon.com list are located below the Mason-Dixon line.

The Washington, D.C. area includes three of the top 20 cities – Alexandria, Va. (#2), Arlington, Va. (#10) and Washington itself (#14). Alexandria residents also topped the list of buyers of children’s books.

The sunshine state, Florida, has three cities in the top 20 – Miami (#6), Gainesville (#8) and Orlando (#12).

“We hope book lovers across the country enjoy this fun look at where the most voracious readers reside,” said Mari Malcolm, managing editor of Books at Amazon.com.

Bestseller and SinC member Dana Stabenow, author of Though Not Dead (Minotaur, 2011), called the report “a useful aid for authors.”

“If that’s where people are reading the most books, maybe that’s where authors ought to go to sign ‘em,” she said.

Thursday, June 2, 2011

Inside inSinC


This week, Sisters in Crime members received one of the organization’s leading member benefits -- the inSinC quarterly bulletin, a 20-page publication filled with practical information for Sisters in Crime members writing and reading crime fiction.

inSinC, edited by Molly Weston, provides a treasure trove of feature articles, columns from industry experts and useful news for SinC member writers and readers.

The June 2011 issue starts off with a bang with “Reviewers Unleashed,” a far-ranging conversation with Oline Cogdill (Fort Lauderdale Sun Sentinel, Mystery Scene, Publishers Weekly, McClatchy Tribune Features and more), Hallie Ephron (The Boston Globe), Jen Forbus (Jensbookthoughts.com and Crimespree), Art Taylor (the Washington Post) and Sarah Weinman (Los Angeles Times, Wall Street Journal, the National Post, Maclean’s, The Baltimore Sun, the Washington Post and more).

In “The FOSS Cure,” Ramona DeFelice Long provides a helpful – and therapeutic – examination of the short story form, with advice for conquering fear of the short story (FOSS).

Jan Burke turns a watchful eye toward the state of death investigation in the U.S. with “Who’s Watching Our Deaths?” Studies, problems, critical needs, what you can do – you’ll find all of the information here.

“Writer Beware” by Victoria Strauss outlines the work of the publishing industry watchdog group sponsored by the Science Fiction Writers of America that provides information and warnings about scams and schemes that threaten writers.

The photo essay, “Memories of Malice 2011,” shares some of the highlights of this year’s Malice Domestic conference. Remember, not all of what happens at Malice stays at Malice!

The regular inSinC columns include Sisters in Crime president Cathy Pickens’ report on recent and upcoming SinC initiatives, “Law & Fiction: Getting Facts Straight” by attorney Leslie Budewitz and “Illusionists and the Brain” by forensic psychology and criminal justice professor Katherine Ramsland, Ph.D.

In addition, the latest inSinC provides other news you can use, including “Chapter Highlights,” news of special events that may just offer some ideas for your own chapter activities; “Conferences and Happenings,” an updated event calendar; “The Docket” by Patricia Gulley, the latest in publishing news from your Sisters; and “Writing Contests,” a look at award-winning opportunities.

Let us know what you think about the latest edition of inSinC. We'd love to hear from you!

Wednesday, June 1, 2011

Shaken: Stories for Japan

By Jeri Westerson


Early in June, Amazon will feature a new Kindle book that may be the first major e-book charitable fundraiser.

Prompted by the disaster in northern Japan, Shaken: Stories for Japan, is a collection of original, exclusive, Japan-themed short stories by some remarkable writers: Gar Anthony Haywood, Naomi Hirahara, Ken Kuhlken, Cara Black, Dianne Emley, Dale Furutani, Jeri Westerson, Gary Phillips, Kelli Stanley, Brett Battles, Robert Gregory Brown, Jeffrey Siger, IJ Parker, Wendy Hornsby, Vicki Doudera, Adrian McKinty, Debbi Mack, Meredith Cole, Rosemary Harris, CJ West, Hank Phillippi Ryan, Hong Kong film historian Stefan Hammond and Edgar-nominated author Tim Hallinan, who is editing the collection.

One hundred percent of all writer royalties for this book will be paid directly into the bank account of Japan America Society of Southern California, which has already raised more than $1 million for the relief effort.

I think this is the first time anyone has taken advantage of the rapid turnaround time possible on the Kindle and the monthly direct-deposit of royalty payments to raise money for a major charitable enterprise. This actually probably wouldn't have been possible before the advent of the ebook. (We're exclusive to Amazon only because of their payment policies, which are prompt and automatic, freeing up money as it's needed, not at the end of various bookkeeping quarters.)

When Tim Hallinan approached me about this project in late April, it was really a no-brainer. First off, I live in southern California and am intimately acquainted with earthquakes to the point where I can guess the Richter scale size of it just by the feel. That’s too intimate!

Most of the quakes that roll in from time to time are minor or come from far away (a big rolling feeling means it comes from afar, and you can hear those coming, too. A hard, building jolt means that the epicenter is quite close, a few miles or so.). But it’s like living on a precipice: Get too complacent and bad things can happen.

We don’t know when an earthquake of devastating proportion will strike and we don’t know what will happen to us and our community when it does. I live pretty far inland, so a chance at a tsunami is zero, but you don’t need a wall of water to destroy life as you knew it. The earth moving can take care of that.

I would have to say that empathy was the biggest factor that encouraged my participation in this project. But getting a chance to have a story alongside this talented array of authors was certainly another big factor. I haven’t read any of the other stories and am just as excited to get the book as anyone else. It’s a great chance to do some good and get a great collection at the same time. That seems like an easy decision for mystery readers.


Jeri Westerson, the president of the Orange County chapter of Sisters in Crime, is the author of the Crispin Guest medieval mysteries. The newest title in the series, The Demon's Parchment, was nominated for the Reviewer's Choice Award for Historical Mystery from Romantic Times magazine and the Bruce Alexander Award for Best Historical Mystery. For more information, see www.JeriWesterson.com.